The Compline Service from St. Mark's Cathedral show

The Compline Service from St. Mark's Cathedral

Summary: A weekly podcast of the Compline service as sung every Sunday night by The Compline Choir in St. Mark's Episcopal Cathedral in Seattle, Washington. Founded in 1954 by the group's former director, Peter R. Hallock, the service has become something of a phenomenon, with upwards of 500 people (most of them in their teens and early twenties) attending the service, and thousands in the local radio audience and on the Internet each week.

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  • Artist: The Compline Choir
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Podcasts:

 The Office of Compline for April 10, 2016 | File Type: audio/mpeg | Duration: 32:43

April 10, 2016 The Third Sunday of Easter ORISON: Come, ye faithful, raise the strain (Tune: Gaudeamus pariter) – Medieval Bohemian Carol Melody, 1544 PSALM 33:1-11 – Peter R. Hallock (1924-2014) HYMN: Jesus lives! (Tune: St. Albinus) – Henry John Gauntlett (1805-1876) NUNC DIMITTIS: Plainsong, Tone VI; harm. Orlando Gibbons (1583-1625) ANTHEM: Christ rising again – John Sheppard (c. 1515-1558)   Jason Anderson, director • Tyler Morse, reader • Jeremy Matheis, cantor

 The Office of Compline for April 10, 2016 | File Type: audio/mpeg | Duration: 32:43

April 10, 2016 The Third Sunday of Easter ORISON: Come, ye faithful, raise the strain (Tune: Gaudeamus pariter) – Medieval Bohemian Carol Melody, 1544 PSALM 33:1-11 – Peter R. Hallock (1924-2014) HYMN: Jesus lives! (Tune: St. Albinus) – Henry John Gauntlett (1805-1876) NUNC DIMITTIS: Plainsong, Tone VI; harm. Orlando Gibbons (1583-1625) ANTHEM: Christ rising again – John Sheppard (c. 1515-1558)   Jason Anderson, director • Tyler Morse, reader • Jeremy Matheis, cantor

 The Office of Compline for April 3, 2016 | File Type: audio/mpeg | Duration: 34:43

April 3, 2016 The Second Sunday of Easter ORISON: We walk by faith, and not by sight (Tune: St. Botolph) – Gordon Slater (1896-1979) PSALM 118:14-24, 28-29 – Plainsong, Tone VIII.1 HYMN: That Easter Day with joy was bright (Tune: Puer nobis) – mel. from Trier MS., 15th cent.; adapt. Michael Praetorius (1571-1621); harm. George R. Woodward (1848-1934) NUNC DIMITTIS: Plainsong, Tone III; harm. Carolus Andreas (16th cent.) ANTHEM: Sermone blando angelus – Plainchant with alternatim harmonizations by Thomas Tallis (c. 1505-1585)   Jason Anderson, director • Jeremy Matheis, reader • Thomas Adams, cantor

 The Office of Compline for April 3, 2016 | File Type: audio/mpeg | Duration: 34:43

April 3, 2016 The Second Sunday of Easter ORISON: We walk by faith, and not by sight (Tune: St. Botolph) – Gordon Slater (1896-1979) PSALM 118:14-24, 28-29 – Plainsong, Tone VIII.1 HYMN: That Easter Day with joy was bright (Tune: Puer nobis) – mel. from Trier MS., 15th cent.; adapt. Michael Praetorius (1571-1621); harm. George R. Woodward (1848-1934) NUNC DIMITTIS: Plainsong, Tone III; harm. Carolus Andreas (16th cent.) ANTHEM: Sermone blando angelus – Plainchant with alternatim harmonizations by Thomas Tallis (c. 1505-1585)   Jason Anderson, director • Jeremy Matheis, reader • Thomas Adams, cantor

 The Office of Compline for March 27, 2016 | File Type: audio/mpeg | Duration: 27:13

March 27, 2016 • Easter Day PROCESSIONAL: Easter Canticle – Peter R. Hallock (1924–2014) PSALM 114 – Plainsong setting, Tonus peregrinus HYMN 183: Christians to the Paschal victim (Tune: Victimae Paschali laudes) – Plainsong, Mode I; melody att. Wigbert (d. 1050?) NUNC DIMITTIS: Plainsong, Tonus peregrinus; harm. William Byrd (c. 1539/1540-1623) ANTHEM: Haec est dies – Jacob Handl (1550-1591) Jason Anderson, director • William Turnipseed, reader • Kenneth Peterson, Joel Matter, and Derek Curtis-Tilton, cantors • Thomas Adams, Cameron Mousighi, Joel Matter, and Jeremy Matheis, Choir I (Handl)

 The Office of Compline for March 27, 2016 | File Type: audio/mpeg | Duration: 27:13

March 27, 2016 • Easter Day PROCESSIONAL: Easter Canticle – Peter R. Hallock (1924–2014) PSALM 114 – Plainsong setting, Tonus peregrinus HYMN 183: Christians to the Paschal victim (Tune: Victimae Paschali laudes) – Plainsong, Mode I; melody att. Wigbert (d. 1050?) NUNC DIMITTIS: Plainsong, Tonus peregrinus; harm. William Byrd (c. 1539/1540-1623) ANTHEM: Haec est dies – Jacob Handl (1550-1591) Jason Anderson, director • William Turnipseed, reader • Kenneth Peterson, Joel Matter, and Derek Curtis-Tilton, cantors • Thomas Adams, Cameron Mousighi, Joel Matter, and Jeremy Matheis, Choir I (Handl)

 The Office of Compline for March 20, 2016 | File Type: audio/mpeg | Duration: 37:59

March 20, 2016 The Sunday of the Passion: Palm Sunday ORISON: O Cross, whose wood is all our race’s boast (Tune: Tenth Avenue) – Peter R. Hallock (1924-2014) PSALM 88 – Plainsong, Tone I.7 HARMONIZED RESPOND: In manus tuas (Setting I) – John Sheppard (c. 1515-1558); ed. Simon R. Hill HYMN: O sacred head, sore wounded (Tune: Herzlich tut mich verlangen) – Hans Leo Hassler (1564-1612); adapt. and harm. Johann Sebastian Bach (1685-1750) NUNC DIMITTIS: Plainsong setting, Tone III.4 ANTHEM: Absalon fili mi – Josquin des Prez (c. 1450/1455–1521)   Jason Anderson, director • Joel Matter, reader • Joel Bevington, cantor • James Wilcox, soloist

 The Office of Compline for March 20, 2016 | File Type: audio/mpeg | Duration: 37:59

March 20, 2016 The Sunday of the Passion: Palm Sunday ORISON: O Cross, whose wood is all our race’s boast (Tune: Tenth Avenue) – Peter R. Hallock (1924-2014) PSALM 88 – Plainsong, Tone I.7 HARMONIZED RESPOND: In manus tuas (Setting I) – John Sheppard (c. 1515-1558); ed. Simon R. Hill HYMN: O sacred head, sore wounded (Tune: Herzlich tut mich verlangen) – Hans Leo Hassler (1564-1612); adapt. and harm. Johann Sebastian Bach (1685-1750) NUNC DIMITTIS: Plainsong setting, Tone III.4 ANTHEM: Absalon fili mi – Josquin des Prez (c. 1450/1455–1521)   Jason Anderson, director • Joel Matter, reader • Joel Bevington, cantor • James Wilcox, soloist

 The Office of Compline for March 13, 2016 | File Type: audio/mpeg | Duration: 32:38

March 13, 2016 The Fifth Sunday in Lent ORISON: The glory of these forty days we celebrate with songs of praise (Tune: Erhalt uns, Herr) – mel. from Geistliche Lieder,1543; harm. Johann Sebastian Bach (1685-1750) PSALM 126 – Plainsong, Tone I.8 HYMN 152: Kind Maker of the world (Tune: A la venue de Noël) – mel. from Fleurs des noels, 1535 NUNC DIMITTIS: Plainsong setting, Tone V.1 ANTHEM: Lamentations of Jeremiah – Thomas Tallis (c. 1505-1585) Jason Anderson, director • Jeffrey Ricco, reader • Jeremy Matheis, cantor

 The Office of Compline for March 13, 2016 | File Type: audio/mpeg | Duration: 32:38

March 13, 2016 The Fifth Sunday in Lent ORISON: The glory of these forty days we celebrate with songs of praise (Tune: Erhalt uns, Herr) – mel. from Geistliche Lieder,1543; harm. Johann Sebastian Bach (1685-1750) PSALM 126 – Plainsong, Tone I.8 HYMN 152: Kind Maker of the world (Tune: A la venue de Noël) – mel. from Fleurs des noels, 1535 NUNC DIMITTIS: Plainsong setting, Tone V.1 ANTHEM: Lamentations of Jeremiah – Thomas Tallis (c. 1505-1585) Jason Anderson, director • Jeffrey Ricco, reader • Jeremy Matheis, cantor

 The Office of Compline for March 6, 2016 | File Type: audio/mpeg | Duration: 33:36

March 6, 2016 The Fourth Sunday in Lent: Laetare ORISON: Drop, drop, slow tears (Tune: Song 46) – Orlando Gibbons (1583-1625) PSALM 32 – Peter R. Hallock (1924-2014) HYMN: Amazing grace! how sweet the sound (Tune: New Britain) – mel. from Virginia Harmony, 1831; harm. Richard T. Proulx (1937-2010) and Peter R. Hallock NUNC DIMITTIS: Plainsong setting, Tone III.4 ANTHEM: Lamentations of Jeremiah – Osbert Parsley (c. 1511-1585) Jason Anderson, director • Tyler Morse, reader • Thomas Adams, cantor

 The Office of Compline for March 6, 2016 | File Type: audio/mpeg | Duration: 33:36

March 6, 2016 The Fourth Sunday in Lent: Laetare ORISON: Drop, drop, slow tears (Tune: Song 46) – Orlando Gibbons (1583-1625) PSALM 32 – Peter R. Hallock (1924-2014) HYMN: Amazing grace! how sweet the sound (Tune: New Britain) – mel. from Virginia Harmony, 1831; harm. Richard T. Proulx (1937-2010) and Peter R. Hallock NUNC DIMITTIS: Plainsong setting, Tone III.4 ANTHEM: Lamentations of Jeremiah – Osbert Parsley (c. 1511-1585) Jason Anderson, director • Tyler Morse, reader • Thomas Adams, cantor

 The Office of Compline for February 28, 2016 | File Type: audio/mpeg | Duration: 35:13

February 28, 2016 • The Third Sunday in Lent ORISON: Lord Jesus, think on me (Tune: Southwell) – from Daman’s Psalter, 1579; adapt. Hymnal 1940; fauxbourdon harm. by Peter R. Hallock (1924-2014) PSALM 63:1-8 – Plainsong, Tone II.1 HYMN: Eternal Lord of love (Tune: Old 124th) – mel. Pseaumes octante trois de David, 1551; harm. Charles Winfred Douglas (1867-1944) NUNC DIMITTIS: Plainsong setting, Tone V.1 ANTHEM: Lamentations of Jeremiah – Alfonso Ferrabosco the Younger (c. 1575-1628)   Jason Anderson, director • Joel Matter, reader • Derek Curtis-Tilton, cantor

 The Office of Compline for February 28, 2016 | File Type: audio/mpeg | Duration: 35:13

February 28, 2016 • The Third Sunday in Lent ORISON: Lord Jesus, think on me (Tune: Southwell) – from Daman’s Psalter, 1579; adapt. Hymnal 1940; fauxbourdon harm. by Peter R. Hallock (1924-2014) PSALM 63:1-8 – Plainsong, Tone II.1 HYMN: Eternal Lord of love (Tune: Old 124th) – mel. Pseaumes octante trois de David, 1551; harm. Charles Winfred Douglas (1867-1944) NUNC DIMITTIS: Plainsong setting, Tone V.1 ANTHEM: Lamentations of Jeremiah – Alfonso Ferrabosco the Younger (c. 1575-1628)   Jason Anderson, director • Joel Matter, reader • Derek Curtis-Tilton, cantor

 The Office of Compline for February 21, 2016 | File Type: audio/mpeg | Duration: 31:36

February 21, 2016 The Second Sunday in Lent ORISON: Lord, keep us steadfast in your Word (Tune: Jesu dulcedo cordium) – Plainsong, Mode II; harm. Peter R. Hallock (1924–2014) PSALM 27:10-18 – Plainsong setting, Tone VIII.1 HYMN: Eternal light, shine in my heart (Tune: Ach bleib bei uns) – mel. Samuel Scheidt (1587-1654); harm. Seth Calvisius (1556-1615) NUNC DIMITTIS: Plainsong setting, Tone III.4 ANTHEM: Lamentations of Jeremiah – Jacobus Arcadelt (c. 1504 – c. 1567)   Jason Anderson, director • William Turnipseed, reader • Joel Bevington, cantor

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