Composer Quest: A Songwriting and Music Composition Podcast

Jazz Pianist George Maurer has been a working composer for over twenty years. In episode 28 of Composer Quest, George imparts his words of wisdom on making a living as a composer. He also shares tips on arranging music for orchestral instruments. George's latest project, Empire Builder, is a musical set on a time-traveling train, and we get to hear George at the piano, talking through his composition process for this musical.

Metal isn't for everyone, but guitarist Devin Earlywine is okay with making music 90 percent of listeners won't enjoy. In Composer Quest Ep. 27, Devin talks about how metal isn't all about doom and gloom. He even admits his band Idiopathic Necrotization started as a joke to have fun with the ridiculousness of the gore death metal genre. In most of his music, Devin tries to avoid thinking of his audience at first, so there are no roadblocks between the purest musical idea from his brain to the finished song.

Most famous for his songwriting in the new wave band The Suburbs, Emmy-winning composer Chan Poling has gravitated lately to performing pop music from other iconic songwriters. His jazz trio, The New Standards, features Chan on piano, John Munson (of Semisonic fame) on bass, and Steve Roehm on vibes. In episode 26 of Composer Quest, Chan talks with me about his arranging, songwriting, and film scoring.

Songwriter Warren Hildebrand of Foxes in Fiction has a special sensory gift. He experiences images and color when he listens to certain music, and hears tones when he sees certain images. In this episode of Composer Quest, we talk about how this synesthesia shades how Warren makes music. Warren also talks about why he loves audio degradation, and why he started the cassette tape label Orchid Tapes. This interview with Warren, by complete chance, happens to be a perfect follow up to my previous interview with synesthetic composer Mary Beth Huttlin.

Dr. Mary Beth Huttlin is not only a talented composer and clarinetist, but she's also gifted perceptually. She has perfect pitch and a constant stream of melodies in her head to draw from. Mary Beth also experiences auditory-visual synesthesia, meaning she perceives colors when she hears music. In episode 24 of Composer Quest, Mary Beth talks with me about how these gifts affect the way she listens to and makes music. We also discuss why Bach is possibly the coolest composer ever.

Prolific composer Mary Ellen Childs writes music for everything from orchestral instruments to zippers. In episode 23 of Composer Quest, she shares her creative process, which often involves bouncing ideas off of her experimental percussion ensemble Crash. Mary Ellen brings us behind the scenes of a few of her major works, including Click, Dream House, Wreck, and an upcoming project which will combine scents and music.

Your Composer Quest quest, should you choose to accept it, is to arrange a pop tune or movie/TV theme for the Twin Cities Trio, which is Maia Hamann on bassoon, Karen Jennings on oboe, and Mary Beth Huttlin on clarinet. They're looking for fun tunes to perform for children in schools.

Rapper and poet Dessa somehow found time to join me over the phone for Composer Quest Episode 21, in the midst of her nationwide tour (SXSW, New Orleans, Nashville, etc.). I was honored to talk with Dessa about her creative process of writing and arranging hip hop songs. In this episode, we get a glimpse behind the scenes of Castor, the Twin, which features more tender jazz arrangements of her original beat-based songs produced by the Doomtree crew.

In episode 20 of Composer Quest, Sci-fi songwriter/composer and Functional Nerds co-host John Anealio shares tips on getting your music out to the online world without seeming like a narcissistic party-crasher. For example, following the 80/20 rule for Twitter and Facebook posts will keep your self-promotion in check. John also gives some helpful pointers on writing melodies, and he explains how even a simple song can employ one of Mozart's secret weapons - the Rondo form! John has also set forth a challenge to those who would accept: finish 23 pieces of art in 2013. He believes that if you don't finish and present your songs to the world, “you're just the guy talking about your art, you're not the guy doing it.“

As a dad of two young kids, songwriter Tim Cheesebrow has limited hours in the day for music. But he recently wrote an album's worth of material in a self-imposed solitary confinement at a cabin in northern Minnesota. He's now in the midst of a crowdfunding campaign to produce this new album, Home in the Heartland. We talk about his three main sources of inspiration: his family, the concept of home, and a Carl Sagan-inspired philosophy of universal connectedness. Oh, and we also talk about extraterrestrial music.

In episode 18 of Composer Quest, electroacoustic composer Ted Moore enlightens us about coding music to interact with human performers. He also shares his ideas on choosing a musical form for your piece, like sonata form (ABA) or binary form (AB). We also talk some philosophy when I bring up Ted's piece Eyes May Be Impaired, which he based on Plato's allegory of the cave.

Guitarist and songwriter Mike Nilles has a secret method for writing melodies: dreaming them up! In episode 17 of Composer Quest, Mike and I swap stories about our dream-inspired songs. We also talk about a few of the groups Mike has played in over the years, from his 70s St. Paul band Smart Alex, to an Italian blues band, to his latest project, The Badinovs.

Jazz trombonist Nick Syman has challenged himself to write a large jazz ensemble piece based on the St. Anthony Falls collapse in 1869. Nick talks about how using a story can help you structure an instrumental piece of music. Nick also explains how the tension and release system of Afro-Cuban rhythms can help make more compelling melodies. And finally, we talk about our experience starting and finishing our Cagetones album in one month last February, for the RPM Challenge.

Jazz drummer Pete James Johnson has recently been getting into sampling his dad's old records to make beats for his DJ project Elephane. In this episode of Composer Quest, Pete shares his beat sampling advice, his experiences composing for jazz trio, and his new method of thinking in terms of “melodies“ when he plays a drum solo.

Sam Gorski and Niko Pueringer have built up a fanbase of nearly 1.5 million YouTube subscribers on their channel, Corridor Digital. Sam writes and produces most of the music within a very short deadline. In this episode of Composer Quest, we talk about what goes into his soundtracks for their video-game-themed short films.