Composer Quest: A Songwriting and Music Composition Podcast

Garrett Hope has drawn composing inspiration from spider mating calls, Joan of Arc's trial transcript, oil spills, and rape survivor stories. In this episode of Composer Quest, I ask Garrett about these composing projects, and I ask what he's learned from his podcast Composer on Fire. He shares some words of wisdom from his interviewees, and things he's learned through his own composing journey.

Bubba Hollenhorst is a songwriter friend who I often only chat with during loud concerts or on the dance floor. In this episode of Composer Quest, I get to know Bubba a little better. He shares stories from his albums Enter the Enchanted Whiskey Forest and Space Love, along with tips on writing a post-apocalyptic space-themed musical. I also ask him about the dozen or so hilarious jingles he's written for segments on his podcast The Weekly Awesome.

Video game composer Lena Chappelle worked her way into the game business by starting as a quality assurance tester. Now she’s both designing and writing music for games like Guild Wars 2. In this Composer Quest interview, Lena shares some of her music and creativity tips, including her method of composing songs during her bus rides. She shares how to write a good melody, and how her experience as an author has influenced her musical storytelling. I also ask Lena about her perspective as a transgender woman in the video game industry.

Cyriak Harris has wowed the internet with his weird YouTube animations, which often feature dancing, mutating animals, like his 34-million-views video "cows and cows and cows." But he's very rarely asked about his soundtracks, which are equally intricate and wild. In this episode of Composer Quest, I interview Cyriak about his composing methods and creativity tips.

I’m excited to announce our next composing quest, courtesy of Tim Cheesebrow and his forearm. Tim has been looking for a way to commemorate his family tree through music, and he’s decided to leave it to Composer Quest listeners to write a “Cheesebrow family” melody. Tim will then choose his favorite composition, and TATTOO IT ON HIS ARM.

Jonathan Rundman’s songs have appeared on the Ellen Degeneres show, the CBS Morning News, and NPR. He realized the success of these songs have been due in part to their narrow topics, like insomnia and wearing glasses. But Jonathan has recently shifted to writing songs with more “heart” than his journalistic lyrical past, after somewhat of a mid-life crisis and a purifying experience playing ancient Finnish music. In this episode of Composer Quest, Jonathan shares words of wisdom from his 25 years as a touring musician. We also talk about his podcast Creativity Drill, which he co-hosts with his wife Dawn.

Sam Matla admits that his hometown of Wellington, New Zealand doesn’t have a big electronic dance music scene. But he’s been hard at work producing EDM tracks and educating people about electronic music through his blog and podcast at EDMProd.com. For today’s episode of Composer Quest, I interviewed Sam about his production techniques and advice for new producers.

Reel spins, rollups, symbols, celebrations, underscores - they're all different sound ingredients that go into a slot machine. In this episode of Composer Quest, I interview three guys in the sound department at High 5 Games about their unique challenge of making music for casino slots. We talk about the composition techniques they use to hook players into these elaborate slot machine story worlds. I also ask them how they feel about using their musical skills to get people to throw down money and press that button again "like a monkey looking for that frickin' shot of espresso," as Aldo describes it. It's a fun and quirky interview, and I hope you enjoy it as much as I did.

If you’ve been to an indie film fest, you’ve probably seen Kevin MacLeod in the credits. Or maybe you’ve heard his music in a cute cat video, or a Minecraft video, or in a department store, cab ride, or on hold. By writing an enormous amount of music and giving it away for free, Kevin has built his reputation as the single biggest royalty-free music composer.

For the Composer Quest Season 4 finale, I asked Jon Brantingham back to chat. He shares some great insights on musical form, film scoring, and the Gustav Mahler orchestration style.

Siama Matuzungidi played guitar on and wrote some of the biggest pop hits of the 70s in Zaire (now the Democratic Republic of the Congo) and Kenya. In today’s episode of Composer Quest, I talk with him about the soukous style of creating interesting rhythm guitar parts and lead parts to complement them. We also talk about Tim, his talented cockatiel who can improvise in the right key over Siama’s guitar playing. As a bonus, Siama writes a song on the spot in honor of the thief who stole his shoes in Uganda.

I’m excited to announce this Composer Quest double episode with TV composers Fil Eisler (Revenge, Empire, UnReal) and Mac Quayle (American Horror Story, Drive, Mr. Robot). First, we hear from Fil about what he learned while composing for an orchestra during four seasons of Revenge. He shares his tips on getting hired for composing gigs and his tips on scoring the entire arc of a show without getting musically stale. Next, I interview Mac Quayle about how his dance music background (41 #1 Billboard Dance Hits!) influences his film and TV scoring. He gives some music mixing pointers and explains how to build momentum in a song or soundtrack.

In today’s episode of Composer Quest, I interview Noah Keesecker about everything from the perils of grad school to making musical ping pong tables. Along the way, I discover that Noah is on the “spectrum of synesthesia” as he calls it. For example, he often experiences smells when he hears things (bassoons smell like mossy logs), and he strongly associates visuals and sounds, which has led to some really cool multimedia works like Tonegoblin. Noah shares some great tips on being both a creative and professional artist.

Composer and Baroque music specialist Michael Dodds is the subject of an upcoming documentary called Blessed Unrest (currently being Kickstarted) about the personal challenge of creating a 40-minute choral symphony. Michael joined me on Composer Quest to talk about the techniques he used in writing his symphony, like borrowing from the beautiful Romantic harmonies of Richard Strauss. Michael also explains how Baroque composers are like jazz musicians, and how music theory is linked to the history of map-making.

Lisa Walkosz-Migliacio is a video game designer who also specializes in composing sparkly “tingy tingy” music that perfectly complements her games like the cute, bunny-filled Usagi-chan. With about 350,000 downloads of that game, she’s clearly found a niche: young girls who don’t have many games designed with them in mind. In today’s episode of Composer Quest, I talk with Lisa about her creative process as both a composer and game designer. We also get to hear about her first ever game, a floppy-disk Joan of Arc adventure.