Something (rather than nothing)

NIKKI LYNETTE is a performer, writer, and visual artist whose individual style is equal parts hip hop, alternative, and pop. A Chicago native, she fuses mental health activism into her performances and has created a lane for her music that is uniquely her own. A proud independent artist, her self-produced tunes are currently featured in popular shows on Netflix, Hulu, Showtime and more. Lynette’s success in music licensing has earned its own accolades, including a prominent feature in Billboard Magazine and being invited to speak on a panel at South By Southwest. After a hiatus from releasing new music, Nikki Lynette returned to the public eye with a confession: she’d secretly been battling mental health issues. She began writing articles about depression and suicide for prominent sites like BlackDoctor, Afropunk and AllHipHop. A newly appointed ambassador for the National Alliance on Mental Illness (NAMI), Nikki’s mental health documentary Happy Songs About Unhappy Things is also currently in production. Nikki has opened for Lion Babe and Leikeli47, and recently in Chicago, headlined her own sold-out show in the Foundation Room at the House of Blues. After a sold-out run in Steppenwolf Theatre Company’s LookOut Series, Nikki’s autobiographical musical Get Out Alive was in conversation with multiple theaters to produce an extended run of the play. However, COVID-19 put those plans on hold… As a result, Get Out Alive has been reimagined for the internet for January 2021!

Holly Campbell is a life-long, self-taught artist born and raised in Oregon's Willamette Valley. Primarily using acrylic, ink, and watercolor, her work is often described as whimsical - with a focus on feminine energies, body positivity, and "dream-scapes". Since 2016, she has worn a multitude of different hats as an artist. She has spent many hours volunteering for local art organizations such as the Corvallis Arts Center, the Corvallis Arts Walk and Chintimini Wildlife Center. These connections eventually led Holly to join a co-op gallery named Voices (now called The Nest). Voices is where Holly really stepped into her identity as an artist and collaborator. Between designing/painting two downtown murals with the group and founding Voices' annual young artist exhibit, Holly met her friend/business partner, Sharon.  Holly and Sharon joined forces in 2017 to open The Hold Studio and that partnership kept The Hold running for almost three years before Covid changed their trajectory. The Hold has since closed its physical location, but Holly and Sharon still run their gallery virtually. In the meantime, Holly has found solace in painting and collaborating from her home studio and you can often find her work on display at local restaurants, shops and, of course, on Instagram (@hollycampbellart). 

Ben Westhoff is an award-winning investigative journalist who writes about culture, drugs, and poverty. His books are taught around the country and have been translated into languages all over the world.His new book Fentanyl, Inc.: How Rogue Chemists Are Creating the Deadliest Wave of the Opioid Epidemic is the highly-acclaimed, bombshell first book about fentanyl, which is causing the worst drug crisis in American history. It has received glowing reviews and was included on many year-end best lists. Westhoff was interviewed about the book for Fresh Air and Joe Rogan, and published an excerpt in The Atlantic. Since the book’s publication, Westhoff has advised top government officials on the fentanyl crisis, including from the U.S. Senate and House of Representatives, the U.S. embassy in Beijing, and the U.S. State Department.His previous book Original Gangstas: Tupac Shakur, Dr. Dre, Eazy-E, Ice Cube, and the Birth of West Coast Rap is one of the best-selling hip-hop books of all time. It received raves from Rolling Stone and People, and a starred review in Kirkus. S. Leigh Savidge, Academy Award nominee and co-writer of Straight Outta Compton said it "may be the best book ever written about the hip hop world."Westhoff's work has appeared in the Library of Congress, The Atlantic, The Guardian, The Wall Street Journal, Los Angeles Times, NPR, Rolling Stone, Forbes, Playboy, Vice, Oxford American, Pitchfork, and others. He's been honored by the National Association of Black Journalists, the National Entertainment Journalism Awards, Religion Newswriters Association, Best Music Writing, Best of Southern Food Writing, L.A. Press Club, and the Missouri Press Association.He has been interviewed as an expert commentator for CNN, BET, A&E, and ITV, and is the former L.A. Weekly music editor and Voice Media Group Senior music editor. He's a contributor to the Smithsonian Anthology of Hip-Hop and Rap, and his 2011 book on southern hip-hop, Dirty South: OutKast, Lil Wayne, Soulja Boy, and the Southern Rappers Who Reinvented Hip-Hop was a Library Journal best seller.

Alicia Angel is a New York City based songwriter, singer, visual artist, and activist. She has co-written over 35 songs for Emmy nominated and award winning hit preschool shows including Nickelodeon’s “Dora the Explorer" and "Dora and Friends: Into the City" as well as songs for “Sesame Street,” Sesame Studios, and Universal Kids’ “Snug’s House.” She has written songs for artists in China and Taiwan via Universal Music Publishing Group, including the song “Girls” performed by Rainie Yang and Cyndi Wang.  Alicia’s paintings have been exhibited in NYC art galleries. She’s used her music and art to raise awareness of, and money for, domestic violence, female genital mutilation, Myasthenia Gravis, and COVID-19.

Jakub Ferencik is a philosopher and an author. Ferencik's new book 'Up in the Air: Christianity, Atheism & the Global Problems of the 21st Century' formed the basis for our critical discussion. You will enjoy this deeper dive into philosophy and the inquiry into our present difficulties in connecting humans to productive, up-building discourse. Jakub and I dig into space/time, art, epistemology, argument, rationality, Calvinism, atheism, agnosticism and Christianity and much more . . .   

S.A. Lawrence-Welch  (she/her/hers|they/them/theirs) S.A. is a Métis / Néhiyaw (Plains Cree) Indigenous Advocate, Organizer, Speaker, Activist, Artist & Writer. Their main focus of work has been on the lasting damage the Residential School System, Indian Boarding Schools & The 60’s Scoop left on First Nations people. They are an advocate for community gathering and cultural connection as a form of healing trauma. S.A.’s goal is to see Indigenous representation and leadership in historically and presently non-Indigenous spaces.

HARDLINERAY makes smart, high energy art of a noticeably singular and unique hand. Ray is of noteworthy talent. I loved doing this episode. To learn about Ray check out these words from his Folks Press (Portland) feature:"When all is said and done, however, what keeps Ray sane is comics. Comics, comics, comics. In part, the sanity comes from being skilled. A fellow illustrator had this to say about Ray from Chi City. 'Even though I've seen a lot people do comics—that was like my first love—you can tell when somebody has a unique angle. Even in a very common job—some people do backgrounds, some do ink, some do coloring—you can tell when someone is just trying to do their own thing. That's what caught my attention about Ray.'" 

DIRTY PRINCESS is a mischievous alchemy of Francesca, Mikayla , and JewlzThese women appear as a dark obscurity that rose into the spotlight in early 2018.Dirty Princess have encapsulated crowds with fuzz guitars, banshee-like vocals, and stand up drums. Their music is a field of energy you can feel starting at your toes and ending in the tips of your hairs.Wild and Alive rock n' roll will NEVER die!!!

Claire Peaceful Deer Lady Zwicker is an Anishinaabe woman from Lake Simcoe Territory / Williams Treaty Territory in Ontario, Canada. "I am currently writing my thesis for my Masters of Education around Indigenous Survival, Revitalization & Self-Determination. I am a big advocate for Indigenous Youth and believe they are the future. I am also a beginning educator and have worked in Vietnam, my home community, and will be working at a First Nations school in the city. Beadwork and art have been my medicine and I love sharing it with the world and our youth as it was something I did not learn until I was an adult."

Cathy Camper is the author of Lowriders in Space, Lowriders to the Center of the Earth and Lowriders Blast from the Past, with a fourth volume in the works, Lowriders to the Rescue, all from Chronicle Books. She has a forthcoming picture book, Ten Ways to Hear Snow (Dial/Penguin), release October 13, 2020, and also wrote Bugs Before Time: Prehistoric Insects and Their Relatives (Simon & Schuster). Her zines include Sugar Needle and The Lou Reeder, and she’s a founding member of the Portland Women of Color zine collective. A graduate of VONA/Voices writing workshops for people of color in Berkeley, California, Cathy works as a librarian in Portland, Oregon, where she does outreach to schools and kids in grades K-12

Joëlle Jones is an Eisner nominated artist currently living and working in Portland, Oregon. Since attending PNCA in Portland, OR, she has contributed to a wide range of projects and has most recently has worked on Batman for DC comics. She also wrote and drew the series, Lady Killer, published by Dark Horse comics. Jones has also provided the art for fashion designer Prada, and various projects for Marvel, Boom, Vertigo, Oni Press and The New York Times.  Joëlle currently has projects with DC comics as well as continuing her Series Lady Killer.

Originally from Istanbul, Özlem Sorlu Thompson now paints in the flat where Piet Mondrian made his art studio in Belsize Park. Her influences include the great expressionist artist Kandinsky and the abstract surrealist Joan Miró.   Özlem’s works have already made their way into the homes of renowned celebrities such as actress Anita Dobson and her husband Brian May, musical theatre star Maria Friedman, actor Andy Nyman, and several private collectors.  With degrees in biology and botany, and an in-depth knowledge of exotic plants and a keen interest in physics, Özlem strives in her work to create synaesthesia in the experience, the process and the result, with a visionary energy that generates an extemporaneous flow of strong colours and shapes.  Painting without preparation or planning, she merges intellectual concepts with visual ideas, mixing real and imagined organic structures with one another, while dream-like worlds and creatures all converge to create a vivid explosion of the real and fantastic.  As a result, positivity and joy invariably manifest strongly in the viewer. 

Kait Matthews' formal art training began several years ago, and include The Art Center in Pasadena and The Laguna College of Art and Design, in Laguna Beach, California, where she graduated summa cum laude in 2009 with a degree in Fine Art. "In my art I enjoy exploring the universal emotions and feelings that are innate in all of us. We are connected when we can look into the eyes of others and see a little bit of ourselves reflecting back. I am inspired by the philosophy of Pablo Picasso who once said, 'The artist is a receptacle for emotions that come from all over the place; from the sky, from the earth, from a scrap of paper, from a passing shape, from a spider’s web.' When someone asks, how long did it take you to create that painting? 'The sum of a life’s worth of experiences' is really the true answer. Malcolm T. Liepke, a contemporary artist, believes 'painting is useless without humanity.'It is only through emotion that we connect. My goal is to be able to convey, to share, and to connect through art and through feeling. It is the kaleidoscope of emotions that tie us together, that make us whole. As I learn more about my own indigenous culture and as an artist of aboriginal native descent growing up in a white world, I wish to further explore emotion on canvas from this unique point of view."

Blackwater Holylight, as the name suggests, is all about contrasts. It’s a fluid convergence of sound that’s heavy, psychedelic, melodic, terrifying and beautiful all at once. As a heavy band, their songs aren’t anchored to riffs, but rather riffs come and go in waves that surface throughout the band’s meditative, entrancing songs. It’s a hypnotic sound, with orchestral structures that often build tension and intrigue before turning the song on its head — not by simply getting louder or heavier, nor by just layering elements. They expertly subvert the implied heaviness of a part, dissecting it and splaying the songs guts out to seep across the sonic spectrum. Now, having toured together extensively following the band’s wildly-successful breakout self- titled debut in 2018, Blackwater Holylight has honed their sound and identity to a powerfully captivating beast. Their live set is all about the slow build, seeming to combine the melodic tension of early Sonic Youth crossed with the laconic fever-dream blues of the first Black Sabbath album, and wiry experimentation of post-punk and krautrock. The lineup on the most recent album is Allison (Sunny) Faris (bass/vocals), Laura Hopkins (guitar/vocals) and Sarah McKenna (synths), with new guitarist Mikayla Mayhew and drummer Eliese Dorsay fleshing out their sound in exciting ways. “The process of this album was vastly different from our first record,” says Faris. “One, because we recorded it over the course of a few weeks, whereas the first record was over the course of about a year. And two, this album was a true collaboration between the five of us. Each of us had extremely equal parts in writing and producing, we all bounced ideas off each together, and we all had a say in what was going on during every part of the process.” “One of our favorite things about this album is that because it was so collaborative, we didn't compartmentalize ourselves into one vibe.” She continues. “It’s heavy, psychedelic, pop, shoegaze, doom, grunge, melodic and more. The whole process was extremely organic and natural for us, we were just being ourselves.” Veils of Winter opens with fuzzed-drenched, drop-tuned bass and baritone guitar leading a dirge riff on “Seeping Secrets.” Faris’ lilting and funereal vocals drop in, adding to the mournful atmosphere until a short turnaround progression hints at changes to come, as Faris and Hopkins harmonize eerily and the tune suddenly turns into a krautrock charge. “Motorcycle” kicks off deceptively with a heavy grunge riff building up for about 40-seconds before the song abruptly shifts gears into a synth-led post-punk harmony, sounding something like Lush meets Syd Barrett era Pink Floyd. “Death Realms” is perhaps the poppiest track, based around soaring shoegaze guitars and interwoven light vocal harmonies. Soft piano notes, occasional woozy whammy bar dives and a driving tom-tom beat solidify its hooks. “Spiders” is a creepy- crawly guitar riff and counterpoint keys, while “Moonlit” explores prog-structures with a shredding guitar solo crescendo. The penultimate track, “Lullaby” is exactly that, a lulling, expansive tune exemplifying Blackwater Holylight’s genre smashing sound as it subtly moves across a vast sonic landscape atop a hypnotic 6/8 beat and repetitive 3-note motif. Throughout the album, their songs shirk traditional verse-chorus-verse structure in favor of fluid, serpentine compositions that move with commanding grace.

Episode 50 is distinguished by the world-adored Australian painter and happiness-peddlar (as well as our first ever return guest . . . ) Vanessa Stockard! Vanessa was featured in Episode 20 wherein she self-effacingly clarified her stance on particular theoretical issues. For this episode, we chat about painting metallic balloons, the use of color, her feature in Hi-Fructose magazine, and Kevin the Cat’s prancing animation.  We also had a strange conversation about licorice before veering towards Vanessa's important support for 'The Torch Project' which, in part, supports art-healing to reduce recidivism rates for the Indigenous prison population in Australia.Welcome back Vanessa!