Electric Shadow

Edward James Olmos digs into how his activism and personal beliefs have informed his work, from baseball player to rock and roller to iconic Latino actor. Recorded live at Dallas Comic-Con Fan Days in February 2016.

There is something wrong with the opening crawl for The Force Awakens. Fan and typography enthusiast John Gruber and original Star Wars opening title sequence designer Dan Perri help unravel the mystery of where (and when) things went wrong.

A small group of fans spent almost half a decade restoring the original Star Wars (in HD) from 35mm film prints. They don't want to make money off of it. They don't want their names publicized. They just want the work to be done. This is their fascinating story, as told by "Mr. Black".

20 guests are asked to pick just one thing in (or about) Star Wars: The Force Awakens to talk about for two minutes or less. This episode includes a spoiler warning.

This episode is nothing but spoiler talk regarding The Force Awakens, with John Gholson and Moisés reflecting on what they absorbed having just seen the film at an early critics' screening, prior to its public opening.

Without spoiling The Force Awakens, John Gholson joins Moisés to reminisce about the rise, fall, and potential “re-awakening” of Star Wars fandom. From childhood to anticipation of the new movie, what triggers your Star Wars sense memory? Pictured above, John Gholson, age 5. In our next episode, we will dig into spoilers for The Force Awakens. In addition to holding publication until public screenings start Thursday night, it’ll carry warnings (and no spoilers in its show notes).

Modern TV has melded the old-school “chapter play” format with modern, lower-cost (and at once higher quality) production methods. The result is episodic content that is more than giving feature-length movies a run for their money. Erika Ensign (Verity, Lazy Doctor Who) joins Strax the Sontarran himself Dan Starkey to reveal how Doctor Who is succeeding where multimillion-dollar franchise features are hit-and-miss.

Remastered and re-edited, this 2012 interview with Crimson Peak director Guillermo del Toro found him in post-production on Pacific Rim and nearing production on Crimson Peak (still in theatres) and The Strain, which just completed its second season. He talks about the power of monsters, video games, and his devout fervor for Hitchcock. Source interview originally broadcast 21 December 2012.

Jack Skellington and Oogie Boogie (Chris Sarandon and Ken Page) take center stage in this very special Halloween bonus installment of our Behind the Microphone series, discussing their formative creative influences, strange things they've signed, and the power of the theatre.

Cowboy Bebop changed the perception of anime dubbed into English. Steve Blum (Spike) and Mary McGlynn (Julia and ADR Director on Bebop) discuss their origin stories as performers and voice actors in the latest installment of our Behind the Microphone series. Stick around for a falling-in-love story that's never been told on-the-record.

At his final convention appearance in 2011, Leonard Nimoy revealed more in one sitting than anyone expected, at once telling his life's story and reminding us that "There's always room for one more good one".

A look at the different paths taken by actors known best for their various voices, featuring the incomparable Tom Kenny (Spongebob Squarepants, Adventure Time) and Charles Martinet (the voice of Nintendo's Mario). There's more to voice acting than just doing "funny voices". As an exclusive treat, you'll hear the first meeting between SpongeBob and The Ice King and learn the definitive pronunciation of "Mario".

A look at the sensation that is Sailor Moon, which has always been more than "just another anime for girls". Rockstar comic creators Babs Tarr and Jess Fink talk about the series' deep influence over them as creative professionals. Creators like Babs and Jess are now in turn driving stronger, more complex and relatable roles for women in their industries as well as in the stories they are telling.

Just after Disney acquired LucasFilm in the fall of 2012, Moisés spoke with film critic Drew McWeeny about the doors opened by a regime change, the early days of Ain't It Cool, his being officially banned from Skywalker Ranch, and the best way to watch Star Wars with your kids, among other things. 2.5 years later, and on the heels of the opening of Star Wars Celebration 2015, Drew comes off as more prescient than anyone gave him credit for being...at the time or since. The discussion featured in this episode first posted on 5 November 2012.

Ex Machina writer/director Alex Garland grew up a fan of science fiction. His new film sets itself apart by happily eschewing on- and off-screen obstacles that get in the way of sci-fi cinema being great. At SXSW 2015, he and Moisés discuss the formative and professional influences that brought Ex Machina to the screen.