New Books Network

Eli ZaretskyView on AmazonBack in the early 70s, Eli Zaretsky wrote for a socialist newspaper and was engaged to review a recently released book, Psychoanalysis and Feminism by Juliet Mitchell. First, he decided, he'd better read some Freud. This started a life-long engagement with psychoanalysis and leftist politics, and his new book Political Freud: A History (Columbia University Press, 2015) conveys the richness of his decades of reading Freud. Following his 2004 Secrets of the Soul: A Social and Cultural History of Psychoanalysis, Zaretsky's latest book, some would call it a companion, is comprised of five essays analyzing the complexity of the mutual influencing of capitalism, social/political history, and psychoanalysis, with particular attention to how and whether people conceive of their own interiority as political. (Particularly timely is chapter two: "Beyond the Blues: the Racial Unconscious and Collective Memory" which explores African American intellectual engagement with psychoanalysis as a tool for understanding oppression.) "Whereas introspection did once define an epoch of social and cultural history– the Freudian epoch– there were historical reasons for this, and it was bound to pass" says Zaretsky. But Political Freud is also a compelling argument for how badly we still need a conception of the self–or ego– with a critical and non-normalizing edge. Eli Zaretsky is a professor of history at The New School, writes and teaches about twentieth-century cultural history, the theory and history of capitalism (especially its social and cultural dimensions), and the history of the family. He is also the author of Why America Needs a Left, Secrets of the Soul: A Social and Cultural History of Psychoanalysis and Capitalism, the Family and Personal Life.

Angelique V. NixonView on AmazonIt's easy to conjure images of paradise when thinking of the Caribbean. The region is know for its lovely beaches, temperate weather, and gorgeous landscapes. For the people who live there, however, living in paradise means dealing with tourists, inequality, exploitation, and corruption. While many scholars have published critiques of Caribbean tourism ranging from measured to withering, the voices of Caribbean people, living in the region or abroad, are rarely evident. Angelique V. Nixon's Resisting Paradise: Tourism, Diaspora, and Sexuality in Caribbean Culture (U Press of Mississippi, 2015 ) explores the many ways in which Caribbean authors, artists, workers, filmakers, educators and activists have understood, worked with, and challenged the foundations of a tourist economy. For more information about the author's work, follow her on Facebook (Angelique V. Nixon), Twitter and Instagram @sistellablack, blog,  and visit her staff page on the IGDS website.

Rebecca Gordon-NesbittView on AmazonWhat are the alternatives to the current neo-liberal cultural settlement prevailing in much of the global north? In To Defend the Revolution is to Defend Culture: The Cultural Policy of The Cuban Revolution (PM Press, 2015),  Rebecca Gordon-Nesbitt, from The Centre for Cultural Change, argues that this question can be addressed by learning from the cultural policy of the Cuban revolution. The book draws on a wealth of archival material, coupled with the theoretical framework of Marxist Humanism, to give a detailed picture of the revolutionary period on the island and chart the lessons from that era. The book introduces the key policy documents and events, along with examples from a variety of cultural forms, including a detailed engagement with the role of film and cinema in the revolutionary era. The book will be essential reading for cultural studies and cultural policy scholars, alongside anyone seeking an alternative vision of culture's social role.

Laura SjobergView on AmazonHow does gender make war, and how does war make gender? In Gender, War, and Conflict (Polity Press, 2014), Laura Sjoberg (University of Florida) analyzes war and conflict through a gendered lens, arguing for the need for "gender mainstreaming" in the study of war. Paying attention to women, femininities, men, masculinities, and queerness, the book challenges the invisibility of gender in most analyses of war of conflict, even as gender plays a pivotal role in the function of war economies, in motivating people to fight wars, in conflict sexual violence, in interstate relations, and much more. Ultimately, Sjoberg makes the claim that the gendered structures of international politics make war possible, a dynamic we will miss unless we interrogate the ways that war and conflict are caused, justified fought, experienced, and felt from a feminist perspective.

Candis Callison's timely and fascinating new book considers climate change as a form of life and articulates how journalists, scientists, religious groups, economic collectives, and others shape and influence public engagement around the issue. How Climate Change Comes to Matter: The Communal Life of Facts (Duke University Press, 2014) looks carefully at the discourses and practices of five collectives within and through which climate change becomes meaningful: Arctic indigenous representatives of the Inuit Circumpolar Council, corporate social responsibility activists in Boston, American evangelical Christians, science journalists, and science policy experts. Callison explores meaning-making in these contexts in a series of beautifully written chapters that collectively narrate the forms of expertise and translation through which climate change comes to matter. The book pays special attention to the ways that these case studies can inform efforts to mobilize greater collaboration across multiple epistemologies, ethical imperatives, vernaculars, and social norms. It's an insightful, compelling, and enjoyable read!

Before I read this excellent book, I had no idea that Rome–that is, the Roman Empire–ever had an empress. But, as Joyce E. Salisbury tells us in Rome's Christian Empress: Galla Placidia Rules at the Twilight of the Empire (Johns Hopkins University Press, 2015), it did. And she was a very good one. Galla Placidia ruled in tough times for the Empire. She had to govern a realm with two capitals, preside over endless debates about what being a Christian really meant, deal with several varieties of hostile (though not only) "barbarians," reshape the imperial office she held, and make sure her son followed her in that office. Moreover, she had to do it all in a metaphorical snake pit. As Joyce points out, she was up to it all. Alas, her successors were not, and the empire she nurtured so well soon "fell" (or, as Joyce has it, "was pushed").  Listen in to hear the whole story!

"With the benefit of hindsight, it is clear that 1949 was actually the beginning, not the end, of the Chinese revolution." Building from this premise, Andrew G. Walder's new book looks at the ways that China was transformed in the 1950s in order to understand why and how Mao's decisions and initiatives – among those of other leaders – had the effects that they did. Written for a broad reading audience, China Under Mao: A Revolution Derailed (Harvard University Press, 2015) focuses on a core theme: the results of Mao's initiatives were often "unintended, unanticipated, and unwanted," by Mao himself, the party leadership, and the broader population. To help readers understand why this is important and how it happened, the first part of Walder's book offers a detailed and compelling account of the Communist Party's road to power and the legacy of this struggle for what happened after, including a military mobilization that formed the bureaucratic foundation for the new Chinese state, an organization oriented toward discipline and unity, and a flawed economic system imported from the Soviet Union. (Walder pays special attention to the differences in party tactics for mobilizing the cities and countryside.) The later chapters explore the transformations in the party in the 1950s and after, including a significant change in the meaning and motives for party membership that spurred Mao to enact measures with consequences ranging from counterproductive to devastating. China Under Mao analyzes these consequences, including the political and organizational causes of the massive failure of the Great Leap Forward and its aftermath. The book ends with a call to rethink Mao's legacy.

The Nation magazine turned 150 this year, a striking achievement for a publication that is firmly on the left of the political spectrum. It was founded in 1865 just months after the Civil War ended and Abraham Lincoln was assassinated. To celebrate a century and a half in print, the magazine has published a book on its history written by D. D. Guttenplan, a Nation correspondent based in London. The Nation: A Biography (The Nation Co., 2015) traces the tumultuous history of America's oldest weekly from the causes and controversies that shaped it to the rebels, mavericks and visionaries who edited and wrote for it. Along the way, The Nation has featured the work of such notable people as Albert Einstein, Emma Goldman, Molly Ivins, I.F. Stone, Ralph Nader, Martin Luther King Jr. and Hunter S. Thompson. In this New Books Network interview, Guttenplan talks about how The Nation veered sharply right in its early years to become the voice of the eastern establishment and then, how it gradually regained its radical roots. He says though that The Nation has always been consistent on one great theme: its opposition to the growth of American Empire from conquests in Cuba, Hawaii and the Philippines in its early decades to the War in Vietnam and the invasion of Iraq in its later ones.

Due in part to lobbying efforts on behalf of the human genome project, human genes tend to be thought of in light of the present–genetic components of human disease and differential risks associated with genetic individuals–before the future, what gets passed on to later generations. However, public understanding of genetics did not merely radiate from laboratories, as Alexandra Minna Stern's book, Telling Genes: The Story of Genetic Counseling in America (Johns Hopkins University, 2012) shows. Before the age of genetic sequencing and mass-produced tests, physicians from various specialties provided genetic counseling on an ad-hoc basis, most of which took the form of reproductive advice. Medical genetics had only been established in the 1960s, with the shadow of eugenics still looming large over a field that was now more inclined toward description of heritable conditions than prescription of reproductive sanctions and sterilization. The founding of the first master's program in genetic counseling in 1969 established the institutional and intellectual basis for a new kind of health care professional, one that would further the reorientation of medical genetics toward patient-centered care. Stern's book connects this emergent professional identity to the broader history of genetic and eugenic programs in the United States. So, while this is a history focused on how the distinct profession of genetic counseling emerged as an alternative to traditional medical authority, it is firmly situated within the conflicts that have persistently plagued the development and application of human genetic knowledge. This orientation toward fundamental tensions is reflected by the book's structure. While she begins with a historical overview of genetic counseling as a profession, the rest of the book is organized around issues; genetic risk and the questionable efficacy of disease apprehension; the politics of race inherent in population knowledge; the fundamental role played by disability in the understanding of inherited disorders; the gender politics of genetic counseling as a challenge to the medical establishment; therapeutic ethics; and the emergence of prenatal testing. This highly readable whirlwind tour through the complex ethical and historical landscape of genetic counseling rewards those new to the history of genetics by virtue of its accessibility, along with those more familiar through the vast amounts of new source material it blends in seamlessly with broader frames. If you enjoy this book, look out for a new edition of Eugenic Nation, Stern's first book on the politics of eugenics.

Parks M. Coble's new book is a wonderful study of memory, war, and history that takes the Sino-Japanese War of 1937-1945 and its aftermath as its focus. China's War Reporters: The Legacy of Resistance against Japan (Harvard University Press, 2015) is organized in two major parts. The first part (Ch. 1-5) look closely at writing done by journalists and intellectuals during the war, focusing especially on those who were associated with the National Salvation Movement. Here we find a fascinating account of Chinese journals, newspapers, and war reporters that pays special attention to the political and ideological motivations behind wartime writers' choices of what to report and how to report it. The distinctions here between rural and urban experiences and knowledge of the war are especially striking. The second part (Ch. 6-7) looks at the "re-remembering" of the war, including the consequences of communist rule for Salvation Movement writers in the immediate aftermath of the war, the disappearance of their legacy from public memory, and the refiguring of their work in the context of post-Mao "new remembering" of the war. Coble also considers the consequences of an increasing emphasis on nationalism in China for the re-remembering of the war in academic and popular media. Collectively, the chapters of China's War Reporters argue that the particular way that the war has been remembered in China has distorted and constrained historical scholarship. It's an exceptionally clear and well-written history.

Janet Vertesi's fascinating new book is an ethnography of the Mars Rover mission that takes readers into the practices involved in working with the two robotic explorers Spirit and Opportunity. Based on two years of immersive ethnography from 2006-2008, Seeing like a Rover: How Robots, Teams, and Images Craft Knowledge of Mars (University of Chicago Press, 2015) focuses on the visuality of the mission, exploring "how scientists and engineers on Earth work with the digital images" sent by their robots to make sense of Mars and to work together to explore it. Vertesi proposes a way of understanding image-making practices as a kind of teamwork: learning to see like a rover, here, is an embodied, skilled, social achievement. Building on Wittgenstein's notion of seeing as, Vertesi conceptualizes these imaging practices in terms of an analytic framework of drawing as: the Rover scientists "use digital tools to draw Mars as consisting of different kinds of materials or surfaces, with implications for future viewings and for team relations." From mapping Mars to robot funerals, it's a wonderful study for readers interested in space exploration, visual studies, sociology, and STS alike!

James Turner is Cavanaugh Professor of Humanities, Emeritus, at Notre Dame University. His book Philology: The Forgotten Origins of the Modern Humanities (Princeton University Press, 2014) recovers the significance of philology, the study of language, that for centuries was synonymous with humanistic intellectual life. Turner provides a detailed and fascinating study that traces philology's beginning in Greek and Roman speculation about language and follows it to the early twentieth century. At the library in Alexandria, Greeks speculated about language, invented rhetoric, analyzed texts and created grammar. Roman diffusion and Christian adaptation spread the influence of philology. The medieval scholars kept it alive until the Renaissance when humanist gave it new life only to escape the most toxic aspects of the Reformation. By the nineteenth century, philology covered three distinct modes of inquiry: textual philology included the study of ancient and biblical literature, language theories of origin, and comparative historical studies of structure and language systems. All philologists held to the belief that history was key to understanding the diversity and change in language. Comparative methods and genealogical understanding accompanied historical analysis. These methods applied not only to texts but also to material objects, structures, art, people groups, and eventually became the foundation for the modern disciplines of anthropology, history, art history, linguistics, literary and religious studies we know today. Turner points to the need to reintegrate scholarly erudition away from insular disciplines and recover the expansive and humanistic reach of philology.

Poetry is far more than crafting verse. Poetry is a way of thought and a way of being. It seeps into every aspect of a poet's life only to reveal that it is the life that seeped into poetry. In a series of letters penned to "Continuum," Mariahadessa Ekere Tallie offers hard won wisdom and a glimpse at an ideal. She takes "Continuum" and the reader through her journey of discovery and coming into being as an artist. "Dear Continuum" is about access; access to mentorship, access to reading lists, access to doubt, and discovery. There was a tangible need within the community for a book like this. It was quite literally asked for, and Tallie answered that call. I would like to think that we poets are the "Continuum," or that it exists on a different plane of being, one that can be tapped into, just as we do with poetry. The states of birth, coming to being, death and rebirth are as infinite as art–are part of the continuum. In the poet's own words: "When life threatens to shatter you and rip your illusions to shreds, write. When you are distracted by romance, write. When you are consumed by heartache, write. When you are rejoicing, grieving, questioning, certain, write. Life itself will give you a chance to feel everything. I've never set a fire to feel the flames singe me. I already know the flames will come. So will water."

Alison Bancroft has written a book with a refreshingly straightforward title: Fashion and Psychoanalysis: Styling the Self (I. B. Tauris, 2012).  One immediately suspects that it reflects the author's two most enduring obsessions and this suspicion is confirmed within the first quarter of our interview.  Yet, as it turns out, both "psychoanalysis" and "fashion" demand qualification.  By "fashion" Bancroft means adornment that assumes an innovative form – creativity applied to the surface of the body.  The psychoanalysis she has in mind is Lacanian theory.  If, then, you are expecting a condemnation of fashion as a frivolous pursuit or a Kleinian explanation for shifting hemlines and anorexic models, Bancroft will not satisfy.  But if you are curious about what fashion as art and corporeal style might express about fundamental Freudian and Lacanian concepts like identification, femininity, and the unconscious, you will be delighted and edified.  Readings of fashion and its sociocultural resonances teach us a great deal about the delimitation and radical questioning of the twentieth-century human subject.  By bringing fashion into dialogue with the Lacanian notions of object a, the sinthome, desire, and jouissance, Bancroft unearths its disruptive potential:  the capacity of fashion — like that of literature, painting and psychoanalysis — to give fleeting glimpses into unconscious truths and the feminine abyss of subjectivity. The main body of Fashion and Psychoanalysis consists of four chapters that are discrete psychoanalytic explorations of fashion-as-protest, moving chronologically through Lacan's teaching and spotlighting some of its key concepts.  The first chapter considers the fashion photography of Nick Knight, whose presentations of fragmented, fractured bodies confound imagined ego boundaries and invite hysteric identifications from viewers.  The second chapter discusses the work of the two most celebrated enfants terribles of 2000s fashion: John Galliano (formerly head designer at Dior) and Alexander McQueen.  Bancroft analyzes a few of their best-known collections in order to demonstrate couture's function as object a, driving desire and signaling feminine jouissance.  Chapter 3 is about the courageous performance artist and fashion icon Leigh Bowery.  Bancroft argues that his self-abjection and simultaneous embodiment of feminine and masculine positions prompted a painful pleasure in his audience – a transgressive jouissance brought out by masculinity's violent destabilization.  The final chapter investigates the similarities between Hussein Chalayan's highly conceptual designs and Lacan's sinthome.  Is fashion, like the sinthome, a blurring of language and corporeality, the collapse of the Symbolic into feminine logic, the apex of aesthetic self-invention?  Listen in and find out!

Following the Civil War, Memphis emerged a center of black progress, optimism, and cultural ferment, after a period of turmoil. Preston Lauterbach joins host Jonathan Judaken for an in-depth discussion in advance of the launch of Lauterbach's latest book, Beale Street Dynasty: Sex, Song, and the Struggle for the Soul of Memphis (Norton, 2015). Robert Church, Sr., who would become "the South's first black millionaire," was a slave owned by his white father. Having survived a deadly race riot in 1866, Church constructed an empire of vice in the booming river town of post-Civil War Memphis. He made a fortune with saloons, gambling, and–shockingly–white prostitution. But he also nurtured the militant journalism of Ida B. Wells and helped revolutionize American music through the work of composer W.C. Handy, the man called "the inventor of the blues." In the face of Jim Crow, the Church fortune helped fashion the most powerful black political organization of the early twentieth century. Robert and his son, Robert, Jr., bought and sold property, founded a bank, and created a park and auditorium for their people finer than the places whites had forbidden them to attend. However, the Church family operated through a tense arrangement with the Democrat machine run by the notorious E. H. "Boss" Crump, who stole elections and controlled city hall. The battle between this black dynasty and the white political machine would define the future of Memphis.