KUOW Presents

Why do we make art? and Is it worth the personal cost? are two of the central questions in Christine Deavel's poetry collection "Woodnote" (Bear Star Press, 2011). Deavel is the co-owner of a poetry-only bookstore in Seattle's Wallingford neighborhood, and a graduate of the prestigious Iowa Writers Workshop. "Woodnote" has even won the Washington State Book award for poetry. But even so, Deavel describes herself as someone who is almost constantly in crisis about why she, or anyone, writes. KUOW's Elizabeth Austen spoke with Christine Deavel about that ambivalence and how it plays out in her work.In her poem "Economy," Deavel interleaves excerpts from a relative's early 20th century diaries — brief daily entries made faithfully for 54 years — with her own obsessive questioning about how to value the art she makes. Deavel talks about what drew her to the diaries as source material, and why, after devoting her life to poetry, she still questions why she does it. Pianist Robin Holcomb improvises while Deavel reads an excerpt from "Economy," recorded at the Good Shepherd Center in October 2011.About Christine Deavel And "Woodnote"Deavel is co-owner of Open Books: a Poem Emporium, one of just three poetry-only bookstores in the United States. She is the author of the poetry chapbook "Box of Little Spruce" (LitRag Press, 2005) and the collection "Woodnote," which won the 2012 Washington State Book Award for poetry and the 2011 Dorothy Brunsman Poetry Prize. She graduated from Indiana University and the University of Iowa, and currently lives in Seattle.

When Ellen Forney was diagnosed with bipolar disorder 16 years ago, her first concern was for her creative future. The award-winning cartoonist prided herself on the artwork and stories she'd come up with during periods she described as manic. Right after her diagnosis, Forney was reluctant to try the drug treatments her psychiatrist prescribed for her. Would she lose her creative edge on lithium? But after a serious period of depression, Forney set out on the ongoing journey to achieve and maintain a state of mental balance.Ellen Forney chronicles her experiences in her new graphic memoir "Marbles: Mania, Depression, Michelangelo, and Me." Forney describes it as the hardest work she's ever done. She hopes people struggling with their own mental balance will read her story and draw inspiration from it.

Why do we make art? and Is it worth the personal cost? are two of the central questions in Christine Deavel's poetry collection "Woodnote" (Bear Star Press, 2011). Deavel is the co-owner of a poetry-only bookstore in Seattle's Wallingford neighborhood, and a graduate of the prestigious Iowa Writers Workshop. "Woodnote" has even won the Washington State Book award for poetry. But even so, Deavel describes herself as someone who is almost constantly in crisis about why she, or anyone, writes. KUOW's Elizabeth Austen spoke with Christine Deavel about that ambivalence and how it plays out in her work. In her poem "Economy," Deavel interleaves excerpts from a relative's early 20th century diaries — brief daily entries made faithfully for 54 years — with her own obsessive questioning about how to value the art she makes. Deavel talks about what drew her to the diaries as source material, and why, after devoting her life to poetry, she still questions why she does it. Pianist Robin Holcomb improvises while Deavel reads an excerpt from "Economy," recorded at the Good Shepherd Center in October 2011. About Christine Deavel And "Woodnote" Deavel is co-owner of Open Books: a Poem Emporium, one of just three poetry-only bookstores in the United States. She is the author of the poetry chapbook "Box of Little Spruce" (LitRag Press, 2005) and the collection "Woodnote," which won the 2012 Washington State Book Award for poetry and the 2011 Dorothy Brunsman Poetry Prize. She graduated from Indiana University and the University of Iowa, and currently lives in Seattle.

When Ellen Forney was diagnosed with bipolar disorder 16 years ago, her first concern was for her creative future. The award-winning cartoonist prided herself on the artwork and stories she'd come up with during periods she described as manic. Right after her diagnosis, Forney was reluctant to try the drug treatments her psychiatrist prescribed for her. Would she lose her creative edge on lithium? But after a serious period of depression, Forney set out on the ongoing journey to achieve and maintain a state of mental balance.Ellen Forney chronicles her experiences in her new graphic memoir "Marbles: Mania, Depression, Michelangelo, and Me." Forney describes it as the hardest work she's ever done. She hopes people struggling with their own mental balance will read her story and draw inspiration from it.

Why do we make art? and Is it worth the personal cost? are two of the central questions in Christine Deavel's poetry collection "Woodnote" (Bear Star Press, 2011). Deavel is the co-owner of a poetry-only bookstore in Seattle's Wallingford neighborhood, and a graduate of the prestigious Iowa Writers Workshop. "Woodnote" has even won the Washington State Book award for poetry. But even so, Deavel describes herself as someone who is almost constantly in crisis about why she, or anyone, writes. KUOW's Elizabeth Austen spoke with Christine Deavel about that ambivalence and how it plays out in her work. In her poem "Economy," Deavel interleaves excerpts from a relative's early 20th century diaries — brief daily entries made faithfully for 54 years — with her own obsessive questioning about how to value the art she makes. Deavel talks about what drew her to the diaries as source material, and why, after devoting her life to poetry, she still questions why she does it. Pianist Robin Holcomb improvises while Deavel reads an excerpt from "Economy," recorded at the Good Shepherd Center in October 2011. About Christine Deavel And "Woodnote" Deavel is co-owner of Open Books: a Poem Emporium, one of just three poetry-only bookstores in the United States. She is the author of the poetry chapbook "Box of Little Spruce" (LitRag Press, 2005) and the collection "Woodnote," which won the 2012 Washington State Book Award for poetry and the 2011 Dorothy Brunsman Poetry Prize. She graduated from Indiana University and the University of Iowa, and currently lives in Seattle.

When Ellen Forney was diagnosed with bipolar disorder 16 years ago, her first concern was for her creative future. The award-winning cartoonist prided herself on the artwork and stories she'd come up with during periods she described as manic. Right after her diagnosis, Forney was reluctant to try the drug treatments her psychiatrist prescribed for her. Would she lose her creative edge on lithium? But after a serious period of depression, Forney set out on the ongoing journey to achieve and maintain a state of mental balance.Ellen Forney chronicles her experiences in her new graphic memoir "Marbles: Mania, Depression, Michelangelo, and Me." Forney describes it as the hardest work she's ever done. She hopes people struggling with their own mental balance will read her story and draw inspiration from it.

Why do we make art? and Is it worth the personal cost? are two of the central questions in Christine Deavel's poetry collection "Woodnote" (Bear Star Press, 2011). Deavel is the co-owner of a poetry-only bookstore in Seattle's Wallingford neighborhood, and a graduate of the prestigious Iowa Writers Workshop. "Woodnote" has even won the Washington State Book award for poetry. But even so, Deavel describes herself as someone who is almost constantly in crisis about why she, or anyone, writes. KUOW's Elizabeth Austen spoke with Christine Deavel about that ambivalence and how it plays out in her work. In her poem "Economy," Deavel interleaves excerpts from a relative's early 20th century diaries — brief daily entries made faithfully for 54 years — with her own obsessive questioning about how to value the art she makes. Deavel talks about what drew her to the diaries as source material, and why, after devoting her life to poetry, she still questions why she does it. Pianist Robin Holcomb improvises while Deavel reads an excerpt from "Economy," recorded at the Good Shepherd Center in October 2011. About Christine Deavel And "Woodnote" Deavel is co-owner of Open Books: a Poem Emporium, one of just three poetry-only bookstores in the United States. She is the author of the poetry chapbook "Box of Little Spruce" (LitRag Press, 2005) and the collection "Woodnote," which won the 2012 Washington State Book Award for poetry and the 2011 Dorothy Brunsman Poetry Prize. She graduated from Indiana University and the University of Iowa, and currently lives in Seattle.

When Ellen Forney was diagnosed with bipolar disorder 16 years ago, her first concern was for her creative future. The award-winning cartoonist prided herself on the artwork and stories she'd come up with during periods she described as manic. Right after her diagnosis, Forney was reluctant to try the drug treatments her psychiatrist prescribed for her. Would she lose her creative edge on lithium? But after a serious period of depression, Forney set out on the ongoing journey to achieve and maintain a state of mental balance.Ellen Forney chronicles her experiences in her new graphic memoir "Marbles: Mania, Depression, Michelangelo, and Me." Forney describes it as the hardest work she's ever done. She hopes people struggling with their own mental balance will read her story and draw inspiration from it.

Why do we make art? and Is it worth the personal cost? are two of the central questions in Christine Deavel's poetry collection "Woodnote" (Bear Star Press, 2011). Deavel is the co-owner of a poetry-only bookstore in Seattle's Wallingford neighborhood, and a graduate of the prestigious Iowa Writers Workshop. "Woodnote" has even won the Washington State Book award for poetry. But even so, Deavel describes herself as someone who is almost constantly in crisis about why she, or anyone, writes. KUOW's Elizabeth Austen spoke with Christine Deavel about that ambivalence and how it plays out in her work. In her poem "Economy," Deavel interleaves excerpts from a relative's early 20th century diaries — brief daily entries made faithfully for 54 years — with her own obsessive questioning about how to value the art she makes. Deavel talks about what drew her to the diaries as source material, and why, after devoting her life to poetry, she still questions why she does it. Pianist Robin Holcomb improvises while Deavel reads an excerpt from "Economy," recorded at the Good Shepherd Center in October 2011. About Christine Deavel And "Woodnote" Deavel is co-owner of Open Books: a Poem Emporium, one of just three poetry-only bookstores in the United States. She is the author of the poetry chapbook "Box of Little Spruce" (LitRag Press, 2005) and the collection "Woodnote," which won the 2012 Washington State Book Award for poetry and the 2011 Dorothy Brunsman Poetry Prize. She graduated from Indiana University and the University of Iowa, and currently lives in Seattle.

When Ellen Forney was diagnosed with bipolar disorder 16 years ago, her first concern was for her creative future. The award-winning cartoonist prided herself on the artwork and stories she'd come up with during periods she described as manic. Right after her diagnosis, Forney was reluctant to try the drug treatments her psychiatrist prescribed for her. Would she lose her creative edge on lithium? But after a serious period of depression, Forney set out on the ongoing journey to achieve and maintain a state of mental balance.Ellen Forney chronicles her experiences in her new graphic memoir "Marbles: Mania, Depression, Michelangelo, and Me." Forney describes it as the hardest work she's ever done. She hopes people struggling with their own mental balance will read her story and draw inspiration from it.

Why do we make art? and Is it worth the personal cost? are two of the central questions in Christine Deavel's poetry collection "Woodnote" (Bear Star Press, 2011). Deavel is the co-owner of a poetry-only bookstore in Seattle's Wallingford neighborhood, and a graduate of the prestigious Iowa Writers Workshop. "Woodnote" has even won the Washington State Book award for poetry. But even so, Deavel describes herself as someone who is almost constantly in crisis about why she, or anyone, writes. KUOW's Elizabeth Austen spoke with Christine Deavel about that ambivalence and how it plays out in her work. In her poem "Economy," Deavel interleaves excerpts from a relative's early 20th century diaries — brief daily entries made faithfully for 54 years — with her own obsessive questioning about how to value the art she makes. Deavel talks about what drew her to the diaries as source material, and why, after devoting her life to poetry, she still questions why she does it. Pianist Robin Holcomb improvises while Deavel reads an excerpt from "Economy," recorded at the Good Shepherd Center in October 2011. About Christine Deavel And "Woodnote" Deavel is co-owner of Open Books: a Poem Emporium, one of just three poetry-only bookstores in the United States. She is the author of the poetry chapbook "Box of Little Spruce" (LitRag Press, 2005) and the collection "Woodnote," which won the 2012 Washington State Book Award for poetry and the 2011 Dorothy Brunsman Poetry Prize. She graduated from Indiana University and the University of Iowa, and currently lives in Seattle.

When Ellen Forney was diagnosed with bipolar disorder 16 years ago, her first concern was for her creative future. The award-winning cartoonist prided herself on the artwork and stories she'd come up with during periods she described as manic. Right after her diagnosis, Forney was reluctant to try the drug treatments her psychiatrist prescribed for her. Would she lose her creative edge on lithium? But after a serious period of depression, Forney set out on the ongoing journey to achieve and maintain a state of mental balance.Ellen Forney chronicles her experiences in her new graphic memoir "Marbles: Mania, Depression, Michelangelo, and Me." Forney describes it as the hardest work she's ever done. She hopes people struggling with their own mental balance will read her story and draw inspiration from it.

Why do we make art? and Is it worth the personal cost? are two of the central questions in Christine Deavel's poetry collection "Woodnote" (Bear Star Press, 2011). Deavel is the co-owner of a poetry-only bookstore in Seattle's Wallingford neighborhood, and a graduate of the prestigious Iowa Writers Workshop. "Woodnote" has even won the Washington State Book award for poetry. But even so, Deavel describes herself as someone who is almost constantly in crisis about why she, or anyone, writes. KUOW's Elizabeth Austen spoke with Christine Deavel about that ambivalence and how it plays out in her work. In her poem "Economy," Deavel interleaves excerpts from a relative's early 20th century diaries — brief daily entries made faithfully for 54 years — with her own obsessive questioning about how to value the art she makes. Deavel talks about what drew her to the diaries as source material, and why, after devoting her life to poetry, she still questions why she does it. Pianist Robin Holcomb improvises while Deavel reads an excerpt from "Economy," recorded at the Good Shepherd Center in October 2011. About Christine Deavel And "Woodnote" Deavel is co-owner of Open Books: a Poem Emporium, one of just three poetry-only bookstores in the United States. She is the author of the poetry chapbook "Box of Little Spruce" (LitRag Press, 2005) and the collection "Woodnote," which won the 2012 Washington State Book Award for poetry and the 2011 Dorothy Brunsman Poetry Prize. She graduated from Indiana University and the University of Iowa, and currently lives in Seattle.

When Ellen Forney was diagnosed with bipolar disorder 16 years ago, her first concern was for her creative future. The award-winning cartoonist prided herself on the artwork and stories she'd come up with during periods she described as manic. Right after her diagnosis, Forney was reluctant to try the drug treatments her psychiatrist prescribed for her. Would she lose her creative edge on lithium? But after a serious period of depression, Forney set out on the ongoing journey to achieve and maintain a state of mental balance.Ellen Forney chronicles her experiences in her new graphic memoir "Marbles: Mania, Depression, Michelangelo, and Me." Forney describes it as the hardest work she's ever done. She hopes people struggling with their own mental balance will read her story and draw inspiration from it.

Why do we make art? and Is it worth the personal cost? are two of the central questions in Christine Deavel's poetry collection "Woodnote" (Bear Star Press, 2011). Deavel is the co-owner of a poetry-only bookstore in Seattle's Wallingford neighborhood, and a graduate of the prestigious Iowa Writers Workshop. "Woodnote" has even won the Washington State Book award for poetry. But even so, Deavel describes herself as someone who is almost constantly in crisis about why she, or anyone, writes. KUOW's Elizabeth Austen spoke with Christine Deavel about that ambivalence and how it plays out in her work. In her poem "Economy," Deavel interleaves excerpts from a relative's early 20th century diaries — brief daily entries made faithfully for 54 years — with her own obsessive questioning about how to value the art she makes. Deavel talks about what drew her to the diaries as source material, and why, after devoting her life to poetry, she still questions why she does it. Pianist Robin Holcomb improvises while Deavel reads an excerpt from "Economy," recorded at the Good Shepherd Center in October 2011. About Christine Deavel And "Woodnote" Deavel is co-owner of Open Books: a Poem Emporium, one of just three poetry-only bookstores in the United States. She is the author of the poetry chapbook "Box of Little Spruce" (LitRag Press, 2005) and the collection "Woodnote," which won the 2012 Washington State Book Award for poetry and the 2011 Dorothy Brunsman Poetry Prize. She graduated from Indiana University and the University of Iowa, and currently lives in Seattle.