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clickhere Visit the Radio America Store web site.Buy your 50 mp3 for &5.00 In 1935 the strip was adapted into The Amazing Interplanetary Adventures of Flash Gordon a 26 episode radio serial that followed the strip fairly closely except the last two episodes when Flash and his friends meet Jungle Jim another Alex Raymond charectar. A second serial, The Further Interplanetary Adventures of Flash Gordan apparently ran through 1936.

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clickhere Visit the Radio America Store web site.Buy your 50 mp3 for &5.00 Box 13 was a syndicated radio series about the escapades of mystery novelist Dan Holiday (Alan Ladd), a former newsman. Created by Mayfair Productions, the series premiered August 22, 1948, on New York's WOR and aired in syndication on the East Coast from August 22, 1948, to August 14. 1949. On the West Coast, Box 13 was heard from March 15, 1948 to March 7, 1949. To seek out new ideas for his fiction, Holiday ran a classified ad in the Star-Times newspaper. "Adventure wanted, will go anywhere, do anything -- Box 13." The stories followed Holiday's adventures when he responded to the letters sent to him by such people as a psycho killer and various victims. Sylvia Picker appeared as Holiday's scatterbrained secretary Suzy. Supporting cast members included Betty Lou Gerson, Frank Lovejoy, Lurene Tuttle, Alan Reed, Luis Van Rooten and John Beal. Vern Carstensen, who directed Box 13 for producer Richard Sanville, was also the show's announcer. Among the 52 episodes in the series were such mystery adventures as "The Sad Night," "Hot Box," "Last Will And Nursery Rhyme," "Hare And Hounds," "Hunt And Peck," "Death Is A Doll," "Tempest In a Casserole" and "Mexican Maze." The dramas featured music by Rudy Schrager. Russell Hughes, who had previously hired Ladd as a radio actor in 1935 at a $19 weekly salary, wrote the scripts, sometimes in collaboration with Ladd. The partners in Mayfair Productions were Ladd and Bernie Joslin, who had previously run the chain of

clickhere Visit the Radio America Store web site.Buy your 50 mp3 for &5.00 Box 13 was a syndicated radio series about the escapades of mystery novelist Dan Holiday (Alan Ladd), a former newsman. Created by Mayfair Productions, the series premiered August 22, 1948, on New York's WOR and aired in syndication on the East Coast from August 22, 1948, to August 14. 1949. On the West Coast, Box 13 was heard from March 15, 1948 to March 7, 1949. To seek out new ideas for his fiction, Holiday ran a classified ad in the Star-Times newspaper. "Adventure wanted, will go anywhere, do anything -- Box 13." The stories followed Holiday's adventures when he responded to the letters sent to him by such people as a psycho killer and various victims. Sylvia Picker appeared as Holiday's scatterbrained secretary Suzy. Supporting cast members included Betty Lou Gerson, Frank Lovejoy, Lurene Tuttle, Alan Reed, Luis Van Rooten and John Beal. Vern Carstensen, who directed Box 13 for producer Richard Sanville, was also the show's announcer. Among the 52 episodes in the series were such mystery adventures as "The Sad Night," "Hot Box," "Last Will And Nursery Rhyme," "Hare And Hounds," "Hunt And Peck," "Death Is A Doll," "Tempest In a Casserole" and "Mexican Maze." The dramas featured music by Rudy Schrager. Russell Hughes, who had previously hired Ladd as a radio actor in 1935 at a $19 weekly salary, wrote the scripts, sometimes in collaboration with Ladd. The partners in Mayfair Productions were Ladd and Bernie Joslin, who had previously run the chain of

clickhere Visit the Radio America Store web site.Buy your 50 mp3 for &5.00 NBC SUSTAINING STARS: Monty Woolley, Anne Seymour, Pert Kelton DIRECTOR/PRODUCER: Nat Hiken ANNOUNCER: Don Pardo ORGANIST: Jack Ward from Wikipedia, the free encyclopedia Magnificent Montague (b. 1928) is an American R&B disc jockey notable not only for the soul music records he helped promote on KGFJ Los Angeles and WWRL New York, but whose trademark yell, "Burn!" was expanded to "Burn, baby, burn," the rallying cry of the Watts riots. Semi-retired by the mid-1970's, Montague relocated to Palm Springs, California where he was instrumental in the launch of easy listening KPLM, today a successful country music station. His was the first radio station construction permit issued to an African-American in four decades.

clickhere Visit the Radio America Store web site.Buy your 50 mp3 for &5.00 NBC SUSTAINING STARS: Monty Woolley, Anne Seymour, Pert Kelton DIRECTOR/PRODUCER: Nat Hiken ANNOUNCER: Don Pardo ORGANIST: Jack Ward from Wikipedia, the free encyclopedia Magnificent Montague (b. 1928) is an American R&B disc jockey notable not only for the soul music records he helped promote on KGFJ Los Angeles and WWRL New York, but whose trademark yell, "Burn!" was expanded to "Burn, baby, burn," the rallying cry of the Watts riots. Semi-retired by the mid-1970's, Montague relocated to Palm Springs, California where he was instrumental in the launch of easy listening KPLM, today a successful country music station. His was the first radio station construction permit issued to an African-American in four decades.

bbott and Costello (William (Bud) Abbott, 1897-1974; Louis Cristillo, 1906-1959) were an American comedy duo whose work in radio, film, and television made them one of the most popular and respected teams in comedy history. Their "Who's on First?" routine, developed during their years in burlesque, is widely considered to be one of the greatest comedy sketches of all time. They received their first national exposure in 1938 when they appeared on radio's The Kate Smith Hour. Their popularity on the program grew and they stayed on as regulars for two years. This led to roles in a Broadway musical, "The Streets of Paris," in 1939. In 1940 they were signed by Universal for the film One Night in the Tropics. Cast strictly in a supporting capacity, they nonetheless stole the show with several classic routines, including their immortal "Who's on First?" Universal signed them to a long-term contract and their second film, "Buck Privates," 1941 secured their place as movie stars. The duo made over 30 films between 1940 and 1956 (see list below) and were among the most popular and highest-paid entertainers in the world during World War II. Among their most popular films are "Hold That Ghost," "Who Done It?", "Pardon My Sarong," "The Time of Their Lives," "Buck Privates Come Home," "Abbott and Costello Meet Frankenstein," and "Abbott and Costello Meet the Invisible Man." The team also appeared on radio throughout the 1940s. They began by hosting a summer replacement series for Fred Allen on NBC in 1940, then joined Edgar Bergen and Charlie McCarthy on the Chase and Sanborn program in 1941. During the same period two of their films, "Buck Privates" and "Hold That Ghost," were adapted for radio and presented on Lux Radio Theater. On October 8, 1942 the team launched their own weekly show on NBC sponsored by Camel cigarettes. They moved to ABC (the former NBC Blue Network) from 1947-49. By 1951, the twosome had moved to television--first as one of the rotating hosts of The Colgate Comedy Hour (Eddie Cantor and Bob Hope were among the others) and then, the following year, in their own situation comedy, The Abbott and Costello Show. The half-hour series was loosely adapted from their radio show, but cast the duo as unemployed wastrels. One of the show's running gags involved Abbott perpetually nagging Costello to get a job to pay their rent, while Abbott barely lifted a finger himself in that direction. The show featured Sidney Fields as their landlord and Hillary Brooke as a friendly neighbor who sometimes got involved in the pair's schemes. Another semi-regular was Joe Besser, who played Stinky, a 40-year-old sissy dressed in a Little Lord Fauntleroy suit. The Abbott and Costello Show ran from 1952 to 1954, but the show found a new life in syndicated rerun broadcast in the late 1960s and early-to-mid 1970s, and the episodes were probably seen by more viewers this time around than when the show was actually produced.

bbott and Costello (William (Bud) Abbott, 1897-1974; Louis Cristillo, 1906-1959) were an American comedy duo whose work in radio, film, and television made them one of the most popular and respected teams in comedy history. Their "Who's on First?" routine, developed during their years in burlesque, is widely considered to be one of the greatest comedy sketches of all time. They received their first national exposure in 1938 when they appeared on radio's The Kate Smith Hour. Their popularity on the program grew and they stayed on as regulars for two years. This led to roles in a Broadway musical, "The Streets of Paris," in 1939. In 1940 they were signed by Universal for the film One Night in the Tropics. Cast strictly in a supporting capacity, they nonetheless stole the show with several classic routines, including their immortal "Who's on First?" Universal signed them to a long-term contract and their second film, "Buck Privates," 1941 secured their place as movie stars. The duo made over 30 films between 1940 and 1956 (see list below) and were among the most popular and highest-paid entertainers in the world during World War II. Among their most popular films are "Hold That Ghost," "Who Done It?", "Pardon My Sarong," "The Time of Their Lives," "Buck Privates Come Home," "Abbott and Costello Meet Frankenstein," and "Abbott and Costello Meet the Invisible Man." The team also appeared on radio throughout the 1940s. They began by hosting a summer replacement series for Fred Allen on NBC in 1940, then joined Edgar Bergen and Charlie McCarthy on the Chase and Sanborn program in 1941. During the same period two of their films, "Buck Privates" and "Hold That Ghost," were adapted for radio and presented on Lux Radio Theater. On October 8, 1942 the team launched their own weekly show on NBC sponsored by Camel cigarettes. They moved to ABC (the former NBC Blue Network) from 1947-49. By 1951, the twosome had moved to television--first as one of the rotating hosts of The Colgate Comedy Hour (Eddie Cantor and Bob Hope were among the others) and then, the following year, in their own situation comedy, The Abbott and Costello Show. The half-hour series was loosely adapted from their radio show, but cast the duo as unemployed wastrels. One of the show's running gags involved Abbott perpetually nagging Costello to get a job to pay their rent, while Abbott barely lifted a finger himself in that direction. The show featured Sidney Fields as their landlord and Hillary Brooke as a friendly neighbor who sometimes got involved in the pair's schemes. Another semi-regular was Joe Besser, who played Stinky, a 40-year-old sissy dressed in a Little Lord Fauntleroy suit. The Abbott and Costello Show ran from 1952 to 1954, but the show found a new life in syndicated rerun broadcast in the late 1960s and early-to-mid 1970s, and the episodes were probably seen by more viewers this time around than when the show was actually produced.

clickhere Visit the Radio America Store web site.Buy your 50 mp3 for &5.00 in the TV series; But CBS-TV executives did not believe the 1950s TV viewing audience would be interested in the family life of a wacky redhead married to a Cuban bandleader

clickhere Visit the Radio America Store web site.Buy your 50 mp3 for &5.00 in the TV series; But CBS-TV executives did not believe the 1950s TV viewing audience would be interested in the family life of a wacky redhead married to a Cuban bandleader

clickhere Visit the Radio America Store web site.Buy your 50 mp3 for &5.00 Broadcasting is the distribution of audio and/or video signals (programs) to a number of recipients ("listeners" or "viewers") that belong to a large group. This group may be the public in general, or a relatively large audience within the public. Thus, an Internet channel may distribute text or music world-wide, while a public address system in (for example) a workplace may broadcast very limited ad hoc soundbites to a small population within its range. The sequencing of content in a broadcast is called a schedule. With all technological endevours a number of technical terms and slang are developed please see the list of broadcasting terms for a glossary of terms used. Television and radio programs are distributed through radio broadcasting or cable, often both simultaneously. By coding signals and having decoding equipment in homes, the latter also enables subscription-based channels and pay-per-view services. A broadcasting organisation may broadcast several programs at the same time, through several channels (frequencies), for example BBC One and Two. On the other hand, two or more organisations may share a channel and each use it during a fixed part of the day. Digital radio and digital television may also transmit multiplexed programming, with several channels compressed into one ensemble. When broadcasting is done via the Internet the term webcasting is often used. In 2004 a new phenomenon occurred when a number of technologies combined to produce Podcasting. Podcasting is an asynchronous broadcast/narrowcast medium. One of the main proponents being Adam Curry and his associates the Podshow. Broadcasting forms a very large segment of the mass media. Broadcasting to a very narrow range of audience is called narrowcasting. The term "broadcast" was coined by early radio engineers from the midwestern United States. "Broadcasting", in farming, is one method of spreading seed using a wide toss of the hand, in a broad cast.

clickhere Visit the Radio America Store web site.Buy your 50 mp3 for &5.00 Broadcasting is the distribution of audio and/or video signals (programs) to a number of recipients ("listeners" or "viewers") that belong to a large group. This group may be the public in general, or a relatively large audience within the public. Thus, an Internet channel may distribute text or music world-wide, while a public address system in (for example) a workplace may broadcast very limited ad hoc soundbites to a small population within its range. The sequencing of content in a broadcast is called a schedule. With all technological endevours a number of technical terms and slang are developed please see the list of broadcasting terms for a glossary of terms used. Television and radio programs are distributed through radio broadcasting or cable, often both simultaneously. By coding signals and having decoding equipment in homes, the latter also enables subscription-based channels and pay-per-view services. A broadcasting organisation may broadcast several programs at the same time, through several channels (frequencies), for example BBC One and Two. On the other hand, two or more organisations may share a channel and each use it during a fixed part of the day. Digital radio and digital television may also transmit multiplexed programming, with several channels compressed into one ensemble. When broadcasting is done via the Internet the term webcasting is often used. In 2004 a new phenomenon occurred when a number of technologies combined to produce Podcasting. Podcasting is an asynchronous broadcast/narrowcast medium. One of the main proponents being Adam Curry and his associates the Podshow. Broadcasting forms a very large segment of the mass media. Broadcasting to a very narrow range of audience is called narrowcasting. The term "broadcast" was coined by early radio engineers from the midwestern United States. "Broadcasting", in farming, is one method of spreading seed using a wide toss of the hand, in a broad cast.