Red Giant TV Podcast

In this Episode of RGTV Live, Harry and Aharon are joined by David Torno of Ghost Town Media to discuss motion graphics for product spots. Also, Harry walks you through a Product spot he recently completed which involved mograph and color correction.

In this Episode of Red Giant TV, Seth Worley walks you through the flip effect seen in Plot Device, where Ben is shot and spins through the air. You'll learn about, keying, rotoscoping, compositing, color correction, visual effects and trampolines.

In this Episode of Red Giant TV Live, Harry Frank shows you how to create a Broadcast News opening Motion Graphic. Aharon Rabinowitz joins Harry to discuss product updates, Plastic Bullet OSX, and a cool Music Video with Mograph and VFX Breakdowns.

In this episode, Simon Walker will go over the presets in Looks 2, giving you tips and techniques for getting the most out of them, while working faster.He'll also look at some of the new features in Magic Bullet Looks 2 for getting better results.

So... We tried recording the Livestream event and it failed... Harry Frank was kind enough to re-record the event in which he shows you how to create cool smoke and fire effects using Trapcode Particular and Form.

In this episode of Red Giant TV, Owain Street shows you how he created the beautiful and evocative light effects from a series of commercials for Demonfort University using Trapcode 3D Stroke. Keep your eyes open for great shortcuts and techniques.

Recorded From Our first-ever Live on-line event: Learn about the new OBJ loader and how to integrate OBJs with After Effects 3D space andCinema 4D. Harry will also showcase how particles can be manipulated with the new Quick Map Offset controls.

In this Episode of Red Giant TV, Aharon Rabinowitz explores the basics of 3D Stereoscopic Workflow with Trapcode 3D plug-ins.This tutorial is a great intro to Stereoscopic 3D in After Effects. If you have them, bring your 3D Glasses - it will help.

In this episode, Harry Frank walks you through creating an awesome motion Graphics billboard project. You'll learn about 2 kinds of particle systems, color correction, lighting, reflections, and just generally making stuff that looks really cool.

In this action packed episode of Red Giant TV, we'll take you behind the scenes of our new film Plot Device. You'll hear directly from the cast and crew about filming, color correction, compositing, and visual FX, and you'll learn how the powerful tools in Magic Bullet suite 11 helped them create the film on a very limited timescale and budget.

In this episode of Red Giant TV, Apple certified Master trainer Simon Walker revisits a tutorial by Stu Maschwitz on digital cosmetics with Magic Bullet Colorista II - He'll be working in Final Cut Pro, with a focus on getting it done faster.

Let's face it, sometimes, it ain't about art. It's about doing work and getting paid. And sometimes it's about doing work fast and getting paid. In this Episode of Red Giant TV, Apple Certified Master Trainer, Simon Walker, will talk about Grading on a deadline. And hey, maybe with the help of Magic Bullet Looks, he can bring some of the art back into it.

In this episode of Red Giant TV, Eran Stern returns to show you how he created the promo for his new DVD: The Best of Premiere Pro. He'll cover keying, compositing, color correction and visual effects in After Effects and Premiere Pro.

In this Episode of Red Giant TV, Apple certified Master Trainer, Simon Walker, will show you how you can create Broadcast Quality Graphics in Final Cut Pro, with the host apps' included tools and Magic Bullet Looks.

In this Episode of Red Giant TV, Fimmaker/Motion Graphics artist Seth Worley will show you how to recreate the look of the Lost Smoke monster. He'll cover compositing, Masking, 3D tracking, color correction and some really cool Particular techniques.