Fundamentals of Piano Practice
Summary: You can learn piano up to 1000 times faster (!) compared to other methods. This is the first book ever written on how to practice at the piano. For hundreds of years, many teachers and other books taught you what techniques to acquire, but that is of little use unless you know how to acquire them quickly, as Mozart, Liszt, etc., did.
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- Artist: Chuang C. Chang / Henrik Pantle
- Copyright: ©Chuang C. Chang / Henrik Pantle 2003-2006
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Now that the LH CEG chord is satisfactory, try to switch suddenly from the chord to the quadruplet at several different bounce frequencies. You will now have to move the fingers but keep the finger motions to a minimum ... http://www.pianofundamentals.com/book/en/1.II.11
Learning to play accurate chords is the first step in applying the chord attack ... http://www.pianofundamentals.com/book/en/1.II.10
Suppose that you want to play the (LH) "do-so-mi-so" quadruplet (“Alberti accompaniment”) many times in succession, very fast (as in the 3rd movement of Beethoven's Moonlight Sonata) ... http://www.pianofundamentals.com/book/en/1.II.9
When practicing one segment, always include the beginning of the following segment. This continuity rule ensures ... http://www.pianofundamentals.com/book/en/1.II.8
Essentially 100% of technique development is accomplished by practicing hands separately (HS). Do not try to develop finger/hand technique hands together (HT) ... http://www.pianofundamentals.com/book/en/1.II.7
A most important learning trick is to choose a short practice segment. This trick has perhaps the largest effect on reducing the practice time because of many reasons ... http://www.pianofundamentals.com/book/en/1.II.6
Returning to Fur Elise, there are two difficult sections with 16 and 23 bars. Start by practicing the most difficult sections first.These will take the longest time to learn, so they should be given the most practice time. Since the ending of most pieces is generally the most difficult, you will learn most pieces starting from the end. Therefore, we will start by tackling these two difficult sections. http://www.pianofundamentals.com/book/en/1.II.5
Starting a Piece: Listening and Analysis (Fur Elise) http://www.pianofundamentals.com/book/en/1.II.4
The right height of the bench and its distance from the piano is also very much a matter of personal taste. A good starting point ... http://www.pianofundamentals.com/book/en/1.II.3
Everyone seems to have her/is own ideas about finger positions, so it is clear that there are no rigid rules. The only guidance is that the fingers should be in the most relaxed and powerful positions... http://www.pianofundamentals.com/book/en/1.II.2
Many students use the following practice routine ... EVERY STEP OF THIS PROCEDURE IS WRONG! Note that the above practice routine is an "intuitive" method. We describe the components of a proper practice routine in the following sections. They are presented in approximately the order in which a student might use them from start to finish of a new piece of music. Sections 1 to 4 are preliminaries; the really new material of this book starts in section 5. http://www.pianofundamentals.com/book/en/1.II.1
Teachers play a critical role in showing students how to play and practice musically. ...
Although it is not easy to define music precisely, we can discuss how to play musically, as done througout this book. ... http://fopp.henrik-pantle.de/ http://www.pianofundamentals.com
We must understand what technique means because not understanding technique leads to incorrect practice methods. ...
The objective of this book is to present the best known mehtods for practicing piano. ...
