Classic Poetry Aloud

Gould read by Classic Poetry Aloud: http://www.classicpoetryaloud.com/ Giving voice to classic poetry. --------------------------------------------------- Oxford by Gerald Gould (1885 – 1936) I came to Oxford in the light Of a spring-coloured afternoon; Some clouds were grey and some were white, And all were blown to such a tune Of quiet rapture in the sky, I laughed to see them laughing by. I had been dreaming in the train With thoughts at random from my book; I looked, and read, and looked again, And suddenly to greet my look Oxford shone up with every tower Aspiring sweetly like a flower. Home turn the feet of men that seek, And home the hearts of children turn, And none can teach the hour to speak What every hour is free to learn; And all discover, late or soon, Their golden Oxford afternoon. Comments Although the New York Times proclaimed in 1912 that “Gerald Gould Can Now Be Called a Great Poet” (for the review see: http://query.nytimes.com/mem/archive-free/pdf?_r=1&res=9B00E5DB133AE633A25753C1A9659C946396D6CF&oref=slogin), time has not favoured him. I think this may be a mistake. Classic Poetry Aloud aims to balance famous with worthy, but less well-known poets such as Gould. It would be a pity if a man who played a part in the evolution of British 20th Century verse as a reviewer and journalist was not also remembered for his own poetry.

Gould read by Classic Poetry Aloud: http://www.classicpoetryaloud.com/ Giving voice to classic poetry. --------------------------------------------------- Oxford by Gerald Gould (1885 – 1936) I came to Oxford in the light Of a spring-coloured afternoon; Some clouds were grey and some were white, And all were blown to such a tune Of quiet rapture in the sky, I laughed to see them laughing by. I had been dreaming in the train With thoughts at random from my book; I looked, and read, and looked again, And suddenly to greet my look Oxford shone up with every tower Aspiring sweetly like a flower. Home turn the feet of men that seek, And home the hearts of children turn, And none can teach the hour to speak What every hour is free to learn; And all discover, late or soon, Their golden Oxford afternoon. Comments Although the New York Times proclaimed in 1912 that “Gerald Gould Can Now Be Called a Great Poet” (for the review see: http://query.nytimes.com/mem/archive-free/pdf?_r=1&res=9B00E5DB133AE633A25753C1A9659C946396D6CF&oref=slogin), time has not favoured him. I think this may be a mistake. Classic Poetry Aloud aims to balance famous with worthy, but less well-known poets such as Gould. It would be a pity if a man who played a part in the evolution of British 20th Century verse as a reviewer and journalist was not also remembered for his own poetry.

Mary Coleridge read by Classic Poetry Aloud: http://www.classicpoetryaloud.com/ Giving voice to classic poetry. --------------------------------------------------- Where a Roman Villa Stood, Above Freiburg Mary E. Coleridge (1861 – 1907) On alien ground, breathing an alien air, A Roman stood, far from his ancient home, And gazing, murmured, "Ah, the hills are fair,
But not the hills of Rome!" Descendant of a race to Romans-kin, Where the old son of Empire stood, I stand. The self-same rocks fold the same valley in, Untouched of human hand. Over another shines the self-same star, Another heart with nameless longing fills, Crying aloud, "How beautiful they are, But not our English hills!"

Mary Coleridge read by Classic Poetry Aloud: http://www.classicpoetryaloud.com/ Giving voice to classic poetry. --------------------------------------------------- Where a Roman Villa Stood, Above Freiburg Mary E. Coleridge (1861 – 1907) On alien ground, breathing an alien air, A Roman stood, far from his ancient home, And gazing, murmured, "Ah, the hills are fair,
But not the hills of Rome!" Descendant of a race to Romans-kin, Where the old son of Empire stood, I stand. The self-same rocks fold the same valley in, Untouched of human hand. Over another shines the self-same star, Another heart with nameless longing fills, Crying aloud, "How beautiful they are, But not our English hills!"

Tennyson read by Classic Poetry Aloud: http://www.classicpoetryaloud.com/ Giving voice to the poetry of the past. --------------------------------------------------- The Charge of the Light Brigade Alfred, Lord Tennyson (1809 – 92) Half a league, half a league, Half a league onward, All in the valley of Death Rode the six hundred. “Forward, the Light Brigade! Charge for the guns!” he said: Into the valley of Death Rode the six hundred. “Forward, the Light Brigade!” Was there a man dismay’d? Not tho’ the soldier knew Some one had blunder’d: Theirs not to make reply, Theirs not to reason why, Theirs but to do and die: Into the valley of Death Rode the six hundred. Cannon to right of them, Cannon to left of them, Cannon in front of them Volley’d and thunder’d; Storm’d at with shot and shell, Boldly they rode and well, Into the jaws of Death, Into the mouth of Hell Rode the six hundred. Flash’d all their sabres bare, Flash’d as they turn’d in air Sabring the gunners there, Charging an army, while All the world wonder’d: Plunged in the battery-smoke Right thro’ the line they broke; Cossack and Russian Reel’d from the sabre-stroke Shatter’d and sunder’d. Then they rode back, but not Not the six hundred. Cannon to right of them, Cannon to left of them, Cannon behind them Volley’d and thunder’d; Storm’d at with shot and shell, While horse and hero fell, They that had fought so well Came thro’ the jaws of Death, Back from the mouth of Hell, All that was left of them, Left of six hundred. When can their glory fade? O the wild charge they made! All the world wonder’d. Honor the charge they made! Honor the Light Brigade, Noble six hundred! To learn more about the history of the Charge of Light Brigade, I strongly recommend listening to In Our Time: The Charge of The Light Brigade, via one of these links: http://209.85.62.159/audio/channels/in_our_time http://downloads.bbc.co.uk/podcasts/radio4/iot/iot_20080110-1115.mp3 http://phobos.apple.com/WebObjects/MZStore.woa/wa/viewPodcast?id=73330895 And here are two articles on the Charge of the Light Brigade, reflecting on why it is such a large piece of British culture, despite being militarily unimportant: http://news.bbc.co.uk/1/hi/magazine/3944699.stm http://www.uea.ac.uk/edu/learn/braysher/charge.htm And this is an extract of Tennyson reading his poem: http://www.bbc.co.uk/arts/poetry/outloud/tennyson.shtml

Tennyson read by Classic Poetry Aloud: http://www.classicpoetryaloud.com/ Giving voice to the poetry of the past. --------------------------------------------------- The Charge of the Light Brigade Alfred, Lord Tennyson (1809 – 92) Half a league, half a league, Half a league onward, All in the valley of Death Rode the six hundred. “Forward, the Light Brigade! Charge for the guns!” he said: Into the valley of Death Rode the six hundred. “Forward, the Light Brigade!” Was there a man dismay’d? Not tho’ the soldier knew Some one had blunder’d: Theirs not to make reply, Theirs not to reason why, Theirs but to do and die: Into the valley of Death Rode the six hundred. Cannon to right of them, Cannon to left of them, Cannon in front of them Volley’d and thunder’d; Storm’d at with shot and shell, Boldly they rode and well, Into the jaws of Death, Into the mouth of Hell Rode the six hundred. Flash’d all their sabres bare, Flash’d as they turn’d in air Sabring the gunners there, Charging an army, while All the world wonder’d: Plunged in the battery-smoke Right thro’ the line they broke; Cossack and Russian Reel’d from the sabre-stroke Shatter’d and sunder’d. Then they rode back, but not Not the six hundred. Cannon to right of them, Cannon to left of them, Cannon behind them Volley’d and thunder’d; Storm’d at with shot and shell, While horse and hero fell, They that had fought so well Came thro’ the jaws of Death, Back from the mouth of Hell, All that was left of them, Left of six hundred. When can their glory fade? O the wild charge they made! All the world wonder’d. Honor the charge they made! Honor the Light Brigade, Noble six hundred! To learn more about the history of the Charge of Light Brigade, I strongly recommend listening to In Our Time: The Charge of The Light Brigade, via one of these links: http://209.85.62.159/audio/channels/in_our_time http://downloads.bbc.co.uk/podcasts/radio4/iot/iot_20080110-1115.mp3 http://phobos.apple.com/WebObjects/MZStore.woa/wa/viewPodcast?id=73330895 And here are two articles on the Charge of the Light Brigade, reflecting on why it is such a large piece of British culture, despite being militarily unimportant: http://news.bbc.co.uk/1/hi/magazine/3944699.stm http://www.uea.ac.uk/edu/learn/braysher/charge.htm And this is an extract of Tennyson reading his poem: http://www.bbc.co.uk/arts/poetry/outloud/tennyson.shtml

Browning read by Classic Poetry Aloud: http://www.classicpoetryaloud.com/ Giving voice to classic poetry. --------------------------------------------------- Meeting at Night by Robert Browning (1812 – 1889) The grey sea and the long black land; And the yellow half-moon large and low; And the startled little waves that leap In fiery ringlets from their sleep, As I gain the cove with pushing prow, And quench its speed i' the slushy sand. Then a mile of warm sea-scented beach; Three fields to cross till a farm appears; A tap at the pane, the quick sharp scratch And blue spurt of a lighted match, And a voice less loud, thro' its joys and fears, Than the two hearts beating each to each! Parting at Morning by Robert Browning (1812 – 1889) Round the cape of a sudden came the sea, And the sun look'd over the mountain's rim: And straight was a path of gold for him, And the need of a world of men for me.

Browning read by Classic Poetry Aloud: http://www.classicpoetryaloud.com/ Giving voice to classic poetry. --------------------------------------------------- Meeting at Night by Robert Browning (1812 – 1889) The grey sea and the long black land; And the yellow half-moon large and low; And the startled little waves that leap In fiery ringlets from their sleep, As I gain the cove with pushing prow, And quench its speed i' the slushy sand. Then a mile of warm sea-scented beach; Three fields to cross till a farm appears; A tap at the pane, the quick sharp scratch And blue spurt of a lighted match, And a voice less loud, thro' its joys and fears, Than the two hearts beating each to each! Parting at Morning by Robert Browning (1812 – 1889) Round the cape of a sudden came the sea, And the sun look'd over the mountain's rim: And straight was a path of gold for him, And the need of a world of men for me.

E Dickinson read by Classic Poetry Aloud: http://www.classicpoetryaloud.com/ Giving voice to the poetry of the past. --------------------------------------------------- Because I could not stop for Death by Emily Dickinson (1830 – 1886) Because I could not stop for Death, He kindly stopped for me; The carriage held but just ourselves And Immortality. We slowly drove, he knew no haste, And I had put away My labor, and my leisure too, For his civility. We passed the school where children played At wrestling in a ring; We passed the fields of gazing grain, We passed the setting sun. We paused before a house that seemed A swelling of the ground; The roof was scarcely visible, The cornice but a mound. Since then ’t is centuries; but each Feels shorter than the day I first surmised the horses’ heads Were toward eternity.   First aired: 23 September 2007 For hundreds more poetry readings, visit the Classic Poetry Aloud index. Reading © Classic Poetry Aloud 2008

E Dickinson read by Classic Poetry Aloud: http://www.classicpoetryaloud.com/ Giving voice to the poetry of the past. --------------------------------------------------- Because I could not stop for Death by Emily Dickinson (1830 – 1886) Because I could not stop for Death, He kindly stopped for me; The carriage held but just ourselves And Immortality. We slowly drove, he knew no haste, And I had put away My labor, and my leisure too, For his civility. We passed the school where children played At wrestling in a ring; We passed the fields of gazing grain, We passed the setting sun. We paused before a house that seemed A swelling of the ground; The roof was scarcely visible, The cornice but a mound. Since then ’t is centuries; but each Feels shorter than the day I first surmised the horses’ heads Were toward eternity.   First aired: 23 September 2007 For hundreds more poetry readings, visit the Classic Poetry Aloud index. Reading © Classic Poetry Aloud 2008

Donne read by Classic Poetry Aloud: http://www.classicpoetryaloud.com/ Giving voice to classic poetry. --------------------------------------------------- The Good-morrow by John Donne (1572 – 1631) I wonder by my troth, what thou, and I Did, till we lov'd? were we not wean'd till then? But suck'd on countrey pleasures, childishly? Or snorted we in the seaven sleepers den? T'was so; But this, all pleasures fancies bee. If ever any beauty I did see, Which I desir'd, and got, t'was but a dreame of thee. And now good morrow to our waking soules, Which watch not one another out of feare; For love, all love of other sights controules, And makes one little roome, an every where. Let sea-discoverers to new worlds have gone, Let Maps to other, worlds on worlds have showne, Let us possesse one world, each hath one, and is one. My face in thine eye, thine in mine appeares, And true plaine hearts doe in the faces rest, Where can we finde two better hemispheares Without sharpe North, without declining West? What ever dyes, was not mixt equally; If our two loves be one, or, thou and I Love so alike, that none doe slacken, none can die.

Donne read by Classic Poetry Aloud: http://www.classicpoetryaloud.com/ Giving voice to classic poetry. --------------------------------------------------- The Good-morrow by John Donne (1572 – 1631) I wonder by my troth, what thou, and I Did, till we lov'd? were we not wean'd till then? But suck'd on countrey pleasures, childishly? Or snorted we in the seaven sleepers den? T'was so; But this, all pleasures fancies bee. If ever any beauty I did see, Which I desir'd, and got, t'was but a dreame of thee. And now good morrow to our waking soules, Which watch not one another out of feare; For love, all love of other sights controules, And makes one little roome, an every where. Let sea-discoverers to new worlds have gone, Let Maps to other, worlds on worlds have showne, Let us possesse one world, each hath one, and is one. My face in thine eye, thine in mine appeares, And true plaine hearts doe in the faces rest, Where can we finde two better hemispheares Without sharpe North, without declining West? What ever dyes, was not mixt equally; If our two loves be one, or, thou and I Love so alike, that none doe slacken, none can die.

Marlowe read by Classic Poetry Aloud: http://www.classicpoetryaloud.com/ Giving voice to classic poetry. --------------------------------------------------- The Passionate Shepherd to His Love by Christopher Marlowe (1564 – 1593) Come live with me and be my Love, And we will all the pleasures prove That hills and valleys, dale and field, And all the craggy mountains yield. There will we sit upon the rocks And see the shepherds feed their flocks, By shallow rivers, to whose falls Melodious birds sing madrigals. There will I make thee beds of roses And a thousand fragrant posies, A cap of flowers, and a kirtle Embroider'd all with leaves of myrtle. A gown made of the finest wool Which from our pretty lambs we pull, Fair linèd slippers for the cold, With buckles of the purest gold. A belt of straw and ivy buds With coral clasps and amber studs: And if these pleasures may thee move, Come live with me and be my Love. Thy silver dishes for thy meat As precious as the gods do eat, Shall on an ivory table be Prepared each day for thee and me. The shepherd swains shall dance and sing For thy delight each May-morning: If these delights thy mind may move, Then live with me and be my Love.

Marlowe read by Classic Poetry Aloud: http://www.classicpoetryaloud.com/ Giving voice to classic poetry. --------------------------------------------------- The Passionate Shepherd to His Love by Christopher Marlowe (1564 – 1593) Come live with me and be my Love, And we will all the pleasures prove That hills and valleys, dale and field, And all the craggy mountains yield. There will we sit upon the rocks And see the shepherds feed their flocks, By shallow rivers, to whose falls Melodious birds sing madrigals. There will I make thee beds of roses And a thousand fragrant posies, A cap of flowers, and a kirtle Embroider'd all with leaves of myrtle. A gown made of the finest wool Which from our pretty lambs we pull, Fair linèd slippers for the cold, With buckles of the purest gold. A belt of straw and ivy buds With coral clasps and amber studs: And if these pleasures may thee move, Come live with me and be my Love. Thy silver dishes for thy meat As precious as the gods do eat, Shall on an ivory table be Prepared each day for thee and me. The shepherd swains shall dance and sing For thy delight each May-morning: If these delights thy mind may move, Then live with me and be my Love.

John Scott read by Classic Poetry Aloud: http://www.classicpoetryaloud.com/ Giving voice to the poetry of the past. --------------------------------------------------- The Drum by John Scott (1731 – 1783) I hate that drum's discordant sound, Parading round, and round, and round: To thoughtless youth it pleasure yields, And lures from cities and from fields, To sell their liberty for charms Of tawdry lace and glitt'ring arms; And when Ambition's voice commands, To fight and fall in foreign lands. I hate that drum's discordant sound, Parading round, and round, and round: To me it talks of ravaged plains, And burning towns and ruin'd swains, And mangled limbs, and dying groans, And widow's tears, and orphans moans, And all that Misery's hand bestows, To fill a catalogue of woes. First aired: 17 September 2007 For hundreds more poetry readings, visit the Classic Poetry Aloud index. Reading © Classic Poetry Aloud 2008