Classic Poetry Aloud

Bridges read by Classic Poetry Aloud: http://www.classicpoetryaloud.com/ Giving voice to the poetry of the past. --------------------------------------------- Nightingales by Robert Bridges (1844 – 1930) Beautiful must be the mountains whence ye come, And bright in the fruitful valleys the streams, wherefrom Ye learn your song: Where are those starry woods? O might I wander there, Among the flowers, which in that heavenly air Bloom the year long! Nay, barren are those mountains and spent the streams: Our song is the voice of desire, that haunts our dreams, A throe of the heart, Whose pining visions dim, forbidden hopes profound, No dying cadence nor long sigh can sound, For all our art. Alone, aloud in the raptured ear of men We pour our dark nocturnal secret; and then, As night is withdrawn From these sweet-springing meads and bursting boughs of May, Dream, while the innumerable choir of day Welcome the dawn.

Hopkins read by Classic Poetry Aloud: http://www.classicpoetryaloud.com/ Giving voice to the poetry of the past. --------------------------------------------- Spring by Gerard Manley Hopkins (1844 – 1889) Nothing is so beautiful as spring— When weeds, in wheels, shoot long and lovely and lush; Thrush’s eggs look little low heavens, and thrush Through the echoing timber does so rinse and wring The ear, it strikes like lightnings to hear him sing; The glassy peartree leaves and blooms, they brush The descending blue; that blue is all in a rush With richness; the racing lambs too have fair their fling. What is all this juice and all this joy? A strain of the earth’s sweet being in the beginning In Eden garden.—Have, get, before it cloy, Before it cloud, Christ, lord, and sour with sinning, Innocent mind and Mayday in girl and boy, Most, O maid’s child, thy choice and worthy the winning.

Hopkins read by Classic Poetry Aloud: http://www.classicpoetryaloud.com/ Giving voice to the poetry of the past. --------------------------------------------- Spring by Gerard Manley Hopkins (1844 – 1889) Nothing is so beautiful as spring— When weeds, in wheels, shoot long and lovely and lush; Thrush’s eggs look little low heavens, and thrush Through the echoing timber does so rinse and wring The ear, it strikes like lightnings to hear him sing; The glassy peartree leaves and blooms, they brush The descending blue; that blue is all in a rush With richness; the racing lambs too have fair their fling. What is all this juice and all this joy? A strain of the earth’s sweet being in the beginning In Eden garden.—Have, get, before it cloy, Before it cloud, Christ, lord, and sour with sinning, Innocent mind and Mayday in girl and boy, Most, O maid’s child, thy choice and worthy the winning.

Bradstreet read by Classic Poetry Aloud: http://www.classicpoetryaloud.com/ Giving voice to the poetry of the past. --------------------------------------------- Upon Some Distemper of Body by Anne Bradstreet (1612 – 1672) In anguish of my heart replete with woes, And wasting pains, which best my body knows, In tossing slumbers on my wakeful bed, Bedrenched with tears that flowed from mournful head, Till nature had exhausted all her store, Then eyes lay dry, disabled to weep more; And looking up unto his throne on high, Who sendeth help to those in misery; He chased away those clouds and let me see My anchor cast i' th' vale with safety. He eased my soul of woe, my flesh of pain, and brought me to the shore from troubled main.

Bradstreet read by Classic Poetry Aloud: http://www.classicpoetryaloud.com/ Giving voice to the poetry of the past. --------------------------------------------- Upon Some Distemper of Body by Anne Bradstreet (1612 – 1672) In anguish of my heart replete with woes, And wasting pains, which best my body knows, In tossing slumbers on my wakeful bed, Bedrenched with tears that flowed from mournful head, Till nature had exhausted all her store, Then eyes lay dry, disabled to weep more; And looking up unto his throne on high, Who sendeth help to those in misery; He chased away those clouds and let me see My anchor cast i' th' vale with safety. He eased my soul of woe, my flesh of pain, and brought me to the shore from troubled main.

Owen read by Classic Poetry Aloud: http://www.classicpoetryaloud.com/ Giving voice to the poetry of the past. --------------------------------------------- The Send-off by Wilfred Owen (1893 – 1918) Down the close, darkening lanes they sang their way To the siding-shed, And lined the train with faces grimly gay. Their breasts were stuck all white with wreath and spray As men's are, dead. Dull porters watched them, and a casual tramp Stood staring hard, Sorry to miss them from the upland camp. Then, unmoved, signals nodded, and a lamp Winked to the guard. So secretly, like wrongs hushed-up, they went. They were not ours: We never heard to which front these were sent. Nor there if they yet mock what women meant Who gave them flowers. Shall they return to beatings of great bells In wild trainloads? A few, a few, too few for drums and yells, May creep back, silent, to still village wells Up half-known roads.

Owen read by Classic Poetry Aloud: http://www.classicpoetryaloud.com/ Giving voice to the poetry of the past. --------------------------------------------- The Send-off by Wilfred Owen (1893 – 1918) Down the close, darkening lanes they sang their way To the siding-shed, And lined the train with faces grimly gay. Their breasts were stuck all white with wreath and spray As men's are, dead. Dull porters watched them, and a casual tramp Stood staring hard, Sorry to miss them from the upland camp. Then, unmoved, signals nodded, and a lamp Winked to the guard. So secretly, like wrongs hushed-up, they went. They were not ours: We never heard to which front these were sent. Nor there if they yet mock what women meant Who gave them flowers. Shall they return to beatings of great bells In wild trainloads? A few, a few, too few for drums and yells, May creep back, silent, to still village wells Up half-known roads.

Browning read by Classic Poetry Aloud: http://www.classicpoetryaloud.com/ Giving voice to the poetry of the past. --------------------------------------------- Home Thoughts, from Abroad by Robert Browning (1812 – 1889) O, to be in England Now that April 's there, And whoever wakes in England Sees, some morning, unaware, That the lowest boughs and the brushwood sheaf Round the elm-tree bole are in tiny leaf, While the chaffinch sings on the orchard bough In England—now! And after April, when May follows, And the whitethroat builds, and all the swallows! Hark, where my blossom'd pear-tree in the hedge Leans to the field and scatters on the clover Blossoms and dewdrops—at the bent spray's edge— That 's the wise thrush; he sings each song twice over, Lest you should think he never could recapture The first fine careless rapture! And though the fields look rough with hoary dew, All will be gay when noontide wakes anew The buttercups, the little children's dower —Far brighter than this gaudy melon-flower!

Browning read by Classic Poetry Aloud: http://www.classicpoetryaloud.com/ Giving voice to the poetry of the past. --------------------------------------------- Home Thoughts, from Abroad by Robert Browning (1812 – 1889) O, to be in England Now that April 's there, And whoever wakes in England Sees, some morning, unaware, That the lowest boughs and the brushwood sheaf Round the elm-tree bole are in tiny leaf, While the chaffinch sings on the orchard bough In England—now! And after April, when May follows, And the whitethroat builds, and all the swallows! Hark, where my blossom'd pear-tree in the hedge Leans to the field and scatters on the clover Blossoms and dewdrops—at the bent spray's edge— That 's the wise thrush; he sings each song twice over, Lest you should think he never could recapture The first fine careless rapture! And though the fields look rough with hoary dew, All will be gay when noontide wakes anew The buttercups, the little children's dower —Far brighter than this gaudy melon-flower!

Herrick read by Classic Poetry Aloud: http://www.classicpoetryaloud.com/ Giving voice to the poetry of the past. --------------------------------------------- To Daffodils by Robert Herrick (1591 – 1674) Fair daffodils, we weep to see You haste away so soon; As yet the early-rising sun Has not attain'd his noon. Stay, stay Until the hasting day Has run But to the evensong; And, having pray'd together, we Will go with you along. We have short time to stay, as you, We have as short a spring; As quick a growth to meet decay, As you, or anything. We die As your hours do, and dry Away Like to the summer's rain; Or as the pearls of morning's dew, Ne'er to be found again.

Herrick read by Classic Poetry Aloud: http://www.classicpoetryaloud.com/ Giving voice to the poetry of the past. --------------------------------------------- To Daffodils by Robert Herrick (1591 – 1674) Fair daffodils, we weep to see You haste away so soon; As yet the early-rising sun Has not attain'd his noon. Stay, stay Until the hasting day Has run But to the evensong; And, having pray'd together, we Will go with you along. We have short time to stay, as you, We have as short a spring; As quick a growth to meet decay, As you, or anything. We die As your hours do, and dry Away Like to the summer's rain; Or as the pearls of morning's dew, Ne'er to be found again.

This poem was first broadcast on 31 May 2007, and is part of a new series of 'From the Vault', which focuses on poetry 'lost in the archives'. Pope read by Classic Poetry Aloud: http://classicpoetryaloud.podomatic.com/ Giving voice to classic poetry. --------------------------------------------------- The Quiet Life by Alexander Pope Happy the man whose wish and care A few paternal acres bound, Content to breathe his native air In his own ground. Whose herds with milk, whose fields with bread, Whose flocks supply him with attire; Whose trees in summer yield him shade, In winter fire. Blest who can unconcern'dly find Hours, days, and years slide soft away In health of body, peace of mind, Quiet by day, Sound sleep by night; study and ease Together mixt, sweet recreation, And innocence, which most does please With meditation. Thus let me live, unseen, unknown; Thus unlamented let me die; Steal from the world, and not a stone Tell where I lie.

This poem was first broadcast on 31 May 2007, and is part of a new series of 'From the Vault', which focuses on poetry 'lost in the archives'. Pope read by Classic Poetry Aloud: http://classicpoetryaloud.podomatic.com/ Giving voice to classic poetry. --------------------------------------------------- The Quiet Life by Alexander Pope Happy the man whose wish and care A few paternal acres bound, Content to breathe his native air In his own ground. Whose herds with milk, whose fields with bread, Whose flocks supply him with attire; Whose trees in summer yield him shade, In winter fire. Blest who can unconcern'dly find Hours, days, and years slide soft away In health of body, peace of mind, Quiet by day, Sound sleep by night; study and ease Together mixt, sweet recreation, And innocence, which most does please With meditation. Thus let me live, unseen, unknown; Thus unlamented let me die; Steal from the world, and not a stone Tell where I lie.

O’Shaughnessy read by Classic Poetry Aloud: http://www.classicpoetryaloud.com/ Giving voice to the poetry of the past. --------------------------------------------- Ode ‘We Are the Music Makers’ by Arthur O'Shaughnessy (1844 – 1881) We are the music-makers, And we are the dreamers of dreams, Wandering by lone sea-breakers, And sitting by desolate streams; World-losers and world-forsakers, On whom the pale moon gleams: Yet we are the movers and shakers Of the world for ever, it seems. With wonderful deathless ditties We build up the world's great cities, And out of a fabulous story We fashion an empire's glory: One man with a dream, at pleasure, Shall go forth and conquer a crown; And three with a new song's measure Can trample an empire down. We, in the ages lying In the buried past of the earth, Built Nineveh with our sighing, And Babel itself with our mirth; And o'erthrew them with prophesying To the old of the new world's worth; For each age is a dream that is dying, Or one that is coming to birth.

O’Shaughnessy read by Classic Poetry Aloud: http://www.classicpoetryaloud.com/ Giving voice to the poetry of the past. --------------------------------------------- Ode ‘We Are the Music Makers’ by Arthur O'Shaughnessy (1844 – 1881) We are the music-makers, And we are the dreamers of dreams, Wandering by lone sea-breakers, And sitting by desolate streams; World-losers and world-forsakers, On whom the pale moon gleams: Yet we are the movers and shakers Of the world for ever, it seems. With wonderful deathless ditties We build up the world's great cities, And out of a fabulous story We fashion an empire's glory: One man with a dream, at pleasure, Shall go forth and conquer a crown; And three with a new song's measure Can trample an empire down. We, in the ages lying In the buried past of the earth, Built Nineveh with our sighing, And Babel itself with our mirth; And o'erthrew them with prophesying To the old of the new world's worth; For each age is a dream that is dying, Or one that is coming to birth.