KEXP Live Performances Podcast

When My Bubba entered the studio for their third LP, this year's Big Bad Good, they didn't have any songs, but the Swedish-Icelandic duo didn't take that as a reason to not craft a new set of tunes on the spot. Joining DJ Morgan in the KEXP Studio, Guðbjö

Michael Franti will, without hesitation, say that his 20-plus year career was built on one thing: tenacious optimism. And even if you can't see it in the room, Franti's optimism radiates just as brilliantly through the songs of his new album Soul Rocker a

Xenia Rubinos' evocative, electrifying voice is a singular one to say the least, and in her sophomore album, this year's Black Terry Cat, she has a set of songs that have just as broad of a musical spectrum. Painting with a hard-to-categorize set of sound

One of 2016's breakout artists, Margo Price has been hailed as a champion for traditionalist country, but that tag doesn't do her justice. The songs on the Illinois-via-Nashville songwriter's 2016 album Midwest Farmer's Daughter certainly have echoes of

The music of Explosions in the Sky has always lived up to the expectations set by the band's evocative name, and on their seventh studio album, The Wilderness, the Austin, Texas outfit continues to create singular, cathartic, and often breathtaking instru

Brooklyn band Caveman continues to evolve on their third album, updating the harmonic indie-folk of 2011's CoCo Beware and the expansive space-prog of their 2013 self-titled LP for a larger, more atmospheric, '80s-steeped pop-rock sound. While the concept

Those Pretty Wrongs frontman Jody Stephens was a key member of the seminal Memphis band Big Star, but while he was behind the drum kit in that outfit, he's front and center on his new project with Luther Russell (The Freewheelers). In this acoustic perfor

If Thao and the Get Down Stay Down and the Yeah Yeah Yeahs were related and they had a uniquely uncompromising third sibling it would be vocal-and-guitar-wailing Weaves. The Toronto four-piece isn't afraid to push the envelop in an free form, experimental

Swedish rockers Peter Bjorn and John have been proselytizing their pro-60s pop prowess since 1999, but the trio really took the indie world by storm back in 2006 with their dance-floor hit “Young Folks.” Ten years later, they're still artfully writing the

Monday afternoon may not be the ideal time for a loud, full-force rock show, but it is, however, the perfect setting for a set of winding, country-colored jams, which is what the audience received when Israel Nash and his band took the stage. The Dripping

CHVRCHES' synth-powered anthems took the Glaswegian trio from basement Soundcloud phenoms to festival-conquering stars in the span of about 18 months, so it's to their credit that they withstood that rapid rise and channeled that velocity into their catch

Montreal-formed band Wolf Parade, now mostly based in Vancouver, make up for 13 years of not performing live on KEXP with an extra-long set in our new studio, covering their entire 2016 EP plus two classics harking back to their very first recording. Co-s

If the Rolling Stones had started their career in 2014 Chicago, they might have been called Twin Peaks. The warm, laid-back chemistry exuded by this crew of bluesy rockers is so over-the-top fun to watch that it's almost hard to not want to just shoot the

During the Norwich songwriter's four-year gap between releases, Beth Orton took the biggest stylistic leap of her career, springing from her most traditional folk album to her most electronic LP, 2016's Kidsticks, with seamless, deft splendor. Orton and h

Channeling sounds both neon and nocturnal, NAVVI's precisely languid take on electronic pop tempers its dark undercurrents with a subtle pop sensibility. The Seattle duo of Brad Boettger and Kristin Henry perform four songs from their debut, 2016's Omni,