On the Media

This week we're airing an interview that Brooke did while on a fellowship at the American Academy in Rome. She and her husband Fred Kaplan (author of the War Stories column in Slate), sat down with Mark Hannah, host of the podcast "None of the Above," produced by the Eurasia Group Foundation.  From the Crimean War of 1853 to Russia’s invasion of Ukraine this year, journalists, reporters, and the media have shaped the public’s understanding of war. But do the stories we read and the photos we see provide an impartial picture of the wars they document? As Hannah recently explained in Foreign Policy, certain aspects of American war coverage—reliance on government sources and incentives to simplify geopolitics as battles between good and evil—have long compelled news organizations to tilt toward military action.

With Roe v Wade under threat, some politicians and media outlets are trying to turn the national conversation away from abortion and toward civility. On this week’s On the Media, how the GOP has mastered the art of setting the narrative. Plus, how moral panics surrounding dangerous TikTok trends follow a century-old pattern of blaming new technology for the deviant behavior of teenagers. 1. Paul Waldman [@paulwaldman1], opinion writer for the Washington Post, on Republicans decrying the draft opinion leak and protests to motivate their base ahead of the midterms. Listen. 2. Micah Loewinger [@MicahLoewinger], OTM correspondent, on alarmist news coverage of TikTok challenges and its misleading influence on panicked parents. Listen. 3. Brandy Zadrozny [@BrandyZadrozny], senior reporter for NBC News, on the story of Tiffany Dover, and how misinformation about her death fueled anti-vax messaging. Listen. Music: Fallen Leaves by Marcos Ciscar The Camping Store by Clive Carroll and John Renbourn Coffee Cold by Galt MacDermot Middlesex Times by Michael Andrews 

This week, we take a look at the latest celebrity trial to ensnare the national attention. Johnny Depp is suing Amber Heard, his ex-wife, for defamation, and she’s counter suing him for the same. Depp’s suit takes issue with an op-ed Heard wrote back in 2018 for the Washington Post in which she identifies herself as a survivor of domestic violence. She first came forward with allegations against Depp in 2016. In 2018, Depp sued British tabloid, The Sun, for defamation over headlines that accused him of abuse, but he lost that case. Given the history, you might expect to see fewer headlines over this latest trial. But, not so. The ratings for Court TV, which is broadcasting every moment of the trial, have more than doubled. Pair the live visuals with Depp’s rabid online fanbase, and you’ve got a case being watched billions of times over — in fact, the #JusticeforJohnnyDepp hashtag has upwards of 10 billion views on TikTok and it’s spawned several viral sounds and trends and … comedy sketches. Guest host Brandy Zadrozny asks EJ Dickson, senior writer for Rolling Stone, about how pro-Depp coverage of the case took over TikTok, and its consequences.

Across news outlets, crime reporting often relies on police sources and incomplete data. On this week’s show, hear how to spot bias in crime stories and what more nuanced coverage looks like. And, the struggle to protect whistleblowers calling out police abuse. Plus, the story of one powerful tabloid that has stymied bail reform for decades. 1. Laura Bennett, the co-author of ​“Freedom, Then the Press: New York Media and Bail Reform,” on how to read a crime story. Listen. 2. Matt Katz [@mattkatz00] WNYC reporter, on what bad coverage of bail reform looks like. Listen. 3. Tom Devine, legal director of the Government Accountability Project, on how to protect whistleblowers on police misconduct. Listen. 4. Tauhid Chappell [@TauhidChappell], Philadelphia Project Manager for Free Press, on abolishing the crime beat. Listen.

This week, OTM presents a story from our colleagues at The Experiment. There’s a common story about abortion in this country, that people have only two options to intentionally end a pregnancy: the clinic or the coat hanger. They can choose the safe route that’s protected by Roe v. Wade—a doctor in a legal clinic—or, if Roe is overturned, endure a dangerous back-alley abortion, symbolized by the coat hanger. But a close look at the history of abortion in this country shows that there’s much more to this story. As a draft of the majority opinion overruling Roe v. Wade was leaked to the media this week, activists are once again preparing to take abortion into their own hands. Reporter Jessica Bruder explores the abortion underground to learn about the movement’s origins, and reveals how activists today are mobilizing around effective and medically safe abortion methods that can be done at home.  A transcript of this episode is available.  Further reading: “A Covert Network of Activists Is Preparing for the End of Roe”

After news broke that Elon Musk is likely to purchase Twitter later this year, the billionaire began sharing a controversial vision for the app. On this week’s On the Media, hear why Musk’s plan to turn Twitter into a so-called free speech platform could spiral out of control and how urban planning can make safer digital spaces. Plus, how science fiction inspired some of Silicon Valley’s most powerful men. 1. Anand Giridharadas [@AnandWrites], author of Winners Take All: The Elite Charade of Changing the World, Erika D. Smith [@Erika_D_Smith], LA Times columnist, and Natalie Wynn [@ContraPoints], YouTuber and political commentator, on the implications and possible outcomes of Elon Musk's potential purchase of Twitter. Listen.  2. Eli Pariser [@elipariser], co-director of Civic Signals, on how urban planning can manage the problems of social programing to create digital spaces that don't exploit us. Listen.  3. Jill Lepore, Harvard historian and staff writer at the New Yorker, Annalee Newitz [@Annaleen], former Editor-in-Chief of Gizmodo and science fiction author, and Gene Seymour [@GeneSeymour], longtime cultural critic, on tech moguls' obsession with science fiction. Listen. 

On this week's podcast extra we present episode 1 of a new series from our colleague, Nancy Solomon. She’s our New Jersey specialist at WNYC and she’s got quite the tale to tell. It’s about a murder on a Jersey cul de sac that was never solved. And it involves some of the most powerful people in the state. It’s even got a waterfront land deal. It’s sort of like Chinatown meets American Hustle. It’s a seven episode podcast, and we think you’ll like it. Listen and subscribe here: https://link.chtbl.com/M_a20dat?sid=otmwebsite

Checking in on the so-called Great Resignation. On this week’s On The Media, hear why the trend is a logical response to the cult of work. Plus, when technology makes our jobs harder, maybe being a 'luddite' isn't such a bad thing.  1. Sarah Jaffe [@sarahljaffe], journalist and author of Work Won't Love You Back: How Devotion to Our Jobs Keeps Us Exploited, Exhausted, and Alone, on how love and meaning became intertwined with our jobs. Listen. 2. Anne Helen-Peterson [@annehelen], writer and journalist, and Charlie Warzel [@cwarzel], contributing writer at The Atlantic, on how technology is—or, dramatically is not — making life easier at work. Listen. 3. Gavin Mueller [@gavinmuellerphd], assistant professor of New Media and Digital Culture at the University of Amsterdam in the Netherlands, on what modern lessons can be learned from the Luddite workers of 19th century England. Listen. Music from this week's show: Sign and Sigil by John ZornBROKE by Modest MouseMiddlesex Times by Michael AndrewsBlues by La Dolce vita Dei NobiliLiquid Spear Waltz by Michael AndrewsStolen Moments by Ahmed Jamal Trio

International Workers' Day is celebrated with rallies and protests all over the world on May 1, but it's not a big deal in the United States. Back in 2018, Brooke spoke with Donna Haverty-Stacke of Hunter College, CUNY about the American origin of May Day — and about how it has come to be forgotten. The first national turnout for worker's rights in the U.S. was on May 1, 1886; contrary to what you may have heard elsewhere, it wasn't the same thing as the Haymarket Affair. Haverty-Stacke is also author of America’s Forgotten Holiday: May Day and Nationalism, 1867–1960, and she explains that the fight over May 1, or May Day, is also about the fight for American identity and what it means to be radical and patriotic at the same time.   The OTM crew (in 2018) sings "Into The Streets May First," a never-before-professionally-recorded 1935 Aaron Copland anthem:  

Cassette tapes mostly gather dust these days. But back in their heyday, they fundamentally changed how we communicate, in ways we’re still making sense of today. On this week’s On the Media, hear how the cassette tape fueled the Iranian revolution, helped pierce the Iron Curtain, and put human connection in the palm of our hands. 1. Simon Goodwin on his innovation to broadcast computer software over the radio back in 1983. Listen. 2. Computer programmer Fuxoft explains his role in 'Sneakernet,' which saw pirated material of all types smuggled into 1980s Czechoslovakia via cassette tape. Listen. 3. The role of cassette tapes in the Iranian Revolution. Listen. This episode was reported, produced, scored and sound designed for Radiolab by Simon Adler with original music throughout by Simon. Top tier reporting and production assistance was provided by Eli Cohen.

Few clichés are as well-worn, and grounded in reality, as the dread many Americans feel towards doing their taxes and the loathing they have for the IRS. But as much as the process is despised, relatively little is known about how it could be improved. Pro Publica's Jessica Huseman said that's largely because tax prep companies keep it that way. Brooke spoke to Huseman in 2017 about what an improved system might look like and how tax prep companies work to thwart any such changes. One of the primary roadblocks to change, said Huseman, is an organization called the Free File Alliance, a public-private partnership whereby private tax companies agree to provide a free service for most Americans in exchange for the IRS not offering any such service itself. Brooke spoke with Tim Hugo, Executive Director of the Free File Alliance, about whether it is really the best way to help American taxpayers.

Congress is threatening to cut billions in COVID aid even as a new variant emerges. On this week’s On the Media, how our policy debate reveals an indifference for long COVID disabilities and death on a staggering scale. And, how that apathy tracks with a pattern of past pandemics. Plus, a look at the novelist Kurt Vonnegut’s theory of storytelling, and what it tells us about why so many Americans have stopped paying attention to the virus. Ed Yong [@edyong209], staff writer at The Atlantic, on why mass deaths from COVID have failed to provoke a strong political and social reckoning. Listen. Laura Spinney, [@lfspinney], author and science journalist on how pandemics have historically disabled people, and what this teaches us about Covid long-haulers. Listen. Micah Loewinger [@MicahLoewinger], OTM correspondent, on how to make sense of Covid's ever-changing plot, using Kurt Vonnegut's theory of "the shapes of stories." Listen. Music:Agnus Dei by Martin PalmeriLove Theme from Spartacus by Fred HerschPassing Time by John RenbournMisterioso by Kronos QuartetBewitched, Bothered and Bewildered by Brad Mehldau Trio    

Hey waddayaknow? There are more variants in the news. Back when Omicron was first making headlines at the end of last year, we made a Breaking News Consumer's Handbooks: Variant Edition. Brooke spoke to Katherine J. Wu, a staff writer at The Atlantic who covers science, to review the steps a news consumer can take to stay informed minus the anxiety.  Breaking News Consumer's Handbook: Variant Edition (Andrea Latimer/WNYC) For a linkable text equivalent, a pdf version is available here. This is a segment from our December 3rd, 2021 program, Pigeon With A Mustache.

More than a month into Putin’s invasion, Ukrainian resistance has proved mightier than the Russian leader seems to have anticipated. On this week’s On the Media, hear how Russia is following the well-established American track record of entering wars without plans for ending them. Plus, a sober look at Russia’s nuclear strategy. And, how the threat of nuclear apocalypse has shaped American culture since World War II. Then, a look at the 1983 made-for-TV film that spurred a national conversation about disarmament.  1. Gideon Rose, author of How Wars End, on what Russia should've learned from America's misadventures in Vietnam, Iraq, and Afghanistan. Listen. 2. Kristin Ven Bruusgaard[@KBruusgaard], postdoctoral fellow at the University of Oslo, on the actual threat of Russia's nuclear arsenal. Listen. 3. Alex Wellerstein [@wellerstein], historian of science at Stevens Institute of Technology, on why the threat of nuclear apocalypse can be hard to comprehend. Listen.  4. Marsha Gordon [@MarshaGGordon], professor of film studies at North Carolina State University, on one of the most important films about nukes. Listen. Music: Sacred Oracle by John Zorn Horizon by Thomas NewmanIn The Bath by Randy NewmanLa Vie En Rose by Toots ThielemansGormenghast by John ZornWhite Lotus Theme by Cristobal Tapia De Veer99 Luftballoons by Nena

A new poll this week from AP-NORC found that when asked, close to half of Americans say they are very concerned that Russia would directly target the U.S. with nuclear weapons, and an additional 3 in 10 are somewhat concerned. Given that Vladimir Putin put his nuclear forces on high alert at the start of his invasion of Ukraine, and with the rhetoric heating up as the war continues, it's hardly surprising that people are worried.  All the talk of nukes got us thinking about a segment from a few years back in which Brooke spoke to playwright Anne Washburn, about her work Mr. Burns: A Post-Electric Play. In it she imagines a world that has been devastated by a nuclear incident and how the remaining civilization would process the destruction over time...by retelling an episode of The Simpsons and about what the episode's evolution over the decades says about society's need for stories and about the role of comedy in the face of tragedy. Excerpts taken from the 2013 production at Playwrights Horizons, directed by Steve Cosson, and a 2017 production at Amherst Regional High School, directed by Nathan Baron-Silvern. Music by Michael Friedman.