99% Invisible

In general, the coronavirus shutdowns have been terrible for academic research. Trips have been canceled, labs have shut down, and long-running experiments have been interrupted. But there are some researchers for whom the shutdowns have provided a unique opportunity—a whole new data set, a chance to gather new information, or to look at information in a new way. And so, this week, we’re bringing you stories very different academic fields, about researchers who are using this bizarre, tragic moment to learn something new about the world. The Natural Experiment

There have been over 200,000 deaths as a result of the coronavirus pandemic. All have been tragic, but there are two people in particular we’ve lost due to COVID that were part of the world of architecture and design that we want to honor with a couple of stories today. First, we are mourning the loss of architect Michael McKinnell. Along with Gerhard Kallman, McKinnell designed the unforgettable Boston City Hall, completed in 1968. They won the commission for Boston City Hall after submitting their brutalist, heroic monument in a contest when Michael McKinnell was just 26 years old. It was always a controversial structure, much of the public found it ugly and too unconventional, but architects and critics tend to love it. This is the often the case with Brutalism in general and that is the subject of our first story starring Boston City Hall. Another voice who is gone too early was Michael Sorkin. Sorkin was a designer and the Village Voice architecture critic in the 80s. He brought a totally new kind of approach to writing about buildings, one that focused on people and politics. We spoke with design critic at Curbed, Alexandra Lange, about Sorkin's work, and Roman Mars reads excerpts from one of his pieces called Two Hundred and Fifty Things an Architect Should Know. The Smell of Concrete After Rain

Here in the US, we're not used to needing to cover half of our faces in public, but if you look at the other side of the world, it's a different story. In parts of Asia, wearing a mask in response to the coronavirus pandemic was a totally easy and normal adjustment. Rebecca Kanthor is a reporter based in Shanghai who has lived in China for the past 17 years, and she tells us why the culture behind masks developed so differently there, and the doctor who started it all. Plus, we look at the manufacturers who pivoted to make products that are in short supply because of the pandemic. Masking for a Friend We have a book coming out!!! Check out The 99% Invisible City here.

99% Invisible producer Katie Mingle had already been working on a series about unhoused people in the Bay Area for over a year when the current pandemic began to unfold. Suddenly, this vulnerable demographic was cast into the spotlight due to the virulent spread of COVID-19. It is clear from the data that this virus is hitting black and poor communities the hardest. COVID-19 has made American society’s racial and wealth inequities even more obvious. The disease is most dangerous to older and immunocompromised people, two groups to which those experiencing homelessness disproportionately belong. Plus, hotels have long been used as crucial infrastructure during disasters. Now they’re being used to help fight the pandemic. Unsheltered in Place

If you have tried to buy toilet paper in the last few weeks, you might have found yourself staring at an empty aisle in the grocery store, wondering where all the toilet paper has gone. Although it may seem like a product that we've always been reliant upon, toilet paper has not actually been around very long, and may not be as essential as we think it is. Instead, it's the product of very good marketing. Plus, we talk about the bane of wastewater utilities everywhere: flushable wipes. Wipe Out

In times like these, we could all use a little historical perspective. In this new podcast from Radiotopia, Jody Avirgan, political historian Nicole Hemmer, and special guests rescue moments from U.S. history to map our journey through a tumultuous year. On this episode of 99% Invisible, Jody talks with Roman about his new show and we play two short episodes of This Day in Esoteric Political History. Subscribe to This Day in Esoteric Political History on Apple Podcasts

It was the middle of the night on March 27, 1964. Earlier that evening, the second-biggest earthquake ever measured at the time had hit Anchorage, Alaska. Some houses had been turned completely upside down while others had skidded into the sea. But that brief and catastrophic quake was just the beginning of the story. This is the story of one woman who held a community together. This is Chance! Redux Buy Jon Mooallem’s This is Chance!

On this shelter-in-place edition of 99pi, Roman walks around his house and tells stories about the history and design of various objects Buy Beauty Pill Describes Things As They Are and all Beauty Pill records on Bandcamp or wherever you can find it. Roman Mars Describes Things As They Are

The only truly accurate map of the world would be a map the size of the world. So if you want a map to be useful, something you can hold in your hands, you have to start making choices. We have to choose what information we're interested in, and what we're throwing out. Those choices influence how the person reading the map views the world. But a map’s influence doesn’t end there, maps can actually *shape *the place they’re trying to represent and that’s where things get weird. Map Quests

The weather can be a simple word or loaded with meaning depending on the context -- a humdrum subject of everyday small talk or a stark climactic reality full of existential associations with serious disasters. In his book The Weather Machine, author Andrew Blum discusses these extremes and much in between, taking readers back in time to early weather-predicting aspirations and forward with speculation about the future of forecasting, including potentially dark clouds on the horizon. The Weather Machine

At the Mid-America Trucking Show in Louisville, Kentucky, drivers from all over the country converge each year to show off their chrome and exchange stories, tips and gripes. One thing unites most in attendance this year: concerns about the steady march of technology, especially the recently imposed, mandatory electronic logging device, or ELD, which records every detail of a driver’s working hours. Over the Road is an eight-part series that gives voice to the trials and triumphs of America’s long haul truckers. Host “Long Haul Paul” Marhoefer, a musician, storyteller and trucker for nearly 40 years, takes you behind the wheel to explore a devoted community and a world that’s changing amidst new technologies and regulations. Listen to more episodes at OvertheRoad.fm.

If you have ever caught even one minute of the history channel, you have seen fraktur. You’ve seen the font on Nazi posters, on Nazi office buildings, on Nazi roadwork signs. Today in Germany, blackletter typefaces are frequently used by Neo-Nazi groups and for many Germans, they bring to mind the dark times of the country’s fascist past. This is ironic because fraktur has a long and strange history that includes the font actually being banned by the Nazis. Plus, we get an opinion from Kate Wagner (McMansion Hell) about “Making Federal Buildings Beautiful Again.” Fraktur

The story of how “Who Let The Dogs Out” ended up stuck in all of our brains goes back decades and spans continents. It tells us something about inspiration, and how creativity spreads, and about whether an idea can ever really belong to just one person. About ten years ago, Ben Sisto was reading the Wikipedia entry for the song when he noticed something strange. A hairdresser in England named “Keith” was credited with giving the song to the Baha Men, but Keith had no last name and the fact had no citation. This mystery sent Ben down a rabbit hole to uncover the true story. Whomst Among Us Has Let The Dogs Out

If you heard that there was a piece of technology that could do away with traffic jams, make cities more equitable, and help us solve climate change, you might think about driverless cars, or hyperloops or any of the other new transportation technologies that get lots of hype these days. But there is a much older, much less sexy piece of machinery that could be the key to making our cities more sustainable, more liveable, and more fair: the humble bus. Steve Higashide is a transit expert, bus champion, and author of a new book called Better Busses Better Cities. And the central thesis of the book is that buses have the power to remake our cities for the better. Missing the Bus

Deep within the National Museum of American History’s vaults is a battered Atari case containing what’s known as “the worst video game of all time.” The game is E.T. the Extra-Terrestrial, and it was so bad that not even the might of Steven Spielberg could save it. It was so loathsome that all remaining copies were buried deep in the desert. And it was so horrible that it’s blamed for the collapse of the American home video game industry in the early 1980s. Subscribe to Sidedoor on Apple Podcasts or RadioPublic The Worst Video Game Ever