Radiolab

Love it or hate it, the freedom to say obnoxious and subversive things is the quintessence of what makes America America. But our say-almost-anything approach to free speech is actually relatively recent, and you can trace it back to one guy: a Supreme Court justice named Oliver Wendell Holmes. Even weirder, you can trace it back to one seemingly ordinary 8-month period in Holmes’s life when he seems to have done a logical U-turn on what should be say-able.  Why he changed his mind during those 8 months is one of the greatest mysteries in the history of the Supreme Court.  (Spoiler: the answer involves anarchists, a house of truth, and a cry for help from a dear friend.)  Join us as we investigate why he changed his mind, how that made the country change its mind, and whether it’s now time to change our minds again. This episode was reported by Latif Nasser and was produced by Sarah Qari. Special thanks to Jenny Lawton, Soren Shade, Kelsey Padgett, Mahyad Tousi and Soroush Vosughi. Support Radiolab by becoming a member today at Radiolab.org/donate.      further reading: Thomas Healy’s book The Great Dissent: How Oliver Wendell Holmes CHanged His Mind - And Changed the History of Free Speech In America (the inspiration for this episode) plus his latest book Soul City: Race, Equality and the Lost Dream of an American Utopia. The Science article that Sinan Aral wrote in 2018, along with Soroush Vosughi and Deb Roy: “The Spread of True and False News Online” Sinan Aral’s recent book The Hype Machine: How Social Media Disrupts Our Elections, Our Economy and our Health - And How We Must Adapt Zeynep Tufekci’s newsletter “The Insight” plus her book Twitter and Teargas: The Power and Fragility of Networked Protest Nabiha Syed’s news website The Markup Trailer for “The Magnificent Yankee,” a 1950 biopic of Oliver Wendell Holmes Anthony Lewis, Freedom for the Thought that We Hate: A Biography of the First Amendment

Scientists took about 300 years to lay out the Periodic Table into neat rows and columns. In one hour, we’re going to mess it all up.  This episode, we enlist journalists, poets, musicians, and even a physicist to help us tell stories of matter that matters. You’ll never look at that chart the same way again. Special thanks to Emotive Fruition for organizing poetry performances and to the mighty Sylvan Esso for composing 'Jaime's Song', both inspired by this episode. Thanks also to Sam Kean, Chris Howk, Brian Fields and to Paul Dresher and Ned Rothenberg for the use of their song "Untold Story:The Edge of Sleep".  Check out Jaime Lowe's book Mental: Lithium, Love and Losing My Mind Support Radiolab by becoming a member today at Radiolab.org/donate.   

As we hit the one year mark since the first U.S. state (California) issued a stay-at-home order to prevent the spread of COVID-19, we put out a call to see if any of you would take us to your secret escape spot and record audio there. And you astounded us with what you brought in.  In this soundrich, kaleidoscopic episode, we journey around the planet and then, quite literally, beyond it. Listen only if you want a boatload of fresh air, fields of wildflowers, stars, birds, frogs, and a riveting tale involving Isaac Newton and a calm beyond any calm you knew could exist. This episode was produced by Matt Kielty and Lulu Miller, with production support from Jonny Moens and Suzie Lechtenberg.  Special thanks to: Lynn Levy, who went on to host the space-a-licious series, The Habitat, and edit (among other things) the powerful and beautiful new podcast Resistance. Merav Opher, an astronomy professor at BU, who now directs the SHIELD DRIVE Science Center which is studying the data collected by the Voyagers at the edge of the heavens, or--err, the “heliosphere” as the scientists call it. Edward Dolnick, The Clockwork Universe: Isaac Newton, the Royal Society, and the Birth of the Modern World Ann Druyan, one of the creators of the 1977 Golden Album traveling on the Voyager probe, has recently released a new series on National Geographic,  “Cosmos: Possible Worlds” A.J. Dungo, who submitted a postcard while surfing, is author of the mesmerizing graphic novel, In Waves, a memoir about surfing and grief. Support Radiolab by becoming a member today at Radiolab.org/donate.   

Last summer, at a hospital in England, a man in his 70s being treated for complications with cancer tested positive for covid-19. He had lymphoma, and the disease plus his drugs weakened his immune system, making him particularly susceptible to the virus. He wasn’t too bad off, considering, and was sent home. That was Day 1. This is the story of what the doctors witnessed, over the course of his illness: the evolution of covid-19 inside his body. Before their eyes, they get a hint of what might be to come in the pandemic.  This episode was reported by Molly Webster.  Special thanks to Ravindra Gupta, Jonathan Li. Support Radiolab by becoming a member today at Radiolab.org/donate.      Want to learn more about some of the covid case studies? Here are a couple papers to get you started:The “U.K. Paper”, co-authored by Ravi Gupta, one of our sources for the episode: https://www.nature.com/articles/s41586-021-03291-y A case study out of Boston, co-authored by Dr. Jonathan Li, one of our sources for the episode: https://www.nejm.org/doi/full/10.1056/NEJMc2031364 For more on immune suppression and covid-19, check out this amazing Scientific American article:  https://www.scientificamerican.com/article/covid-variants-may-arise-in-people-with-compromised-immune-systems/

In November of 2016, journalist Morgen Peck showed up at her friend Molly Webster's apartment in Brooklyn, told her to take her battery out of her phone, and began to tell her about The Ceremony, a moment last fall when a group of, well, let's just call them wizards, came together in an undisclosed location to launch a new currency. It's an undertaking that involves some of the most elaborate security and cryptography ever done (so we've been told). And math. Lots of math. It was all going great until, in the middle of it, something started to behave a little...strangely. Reported by Molly Webster. Produced by Matt Kielty and Molly Webster. Denver Ceremony station recordings were created by media maker Nathaniel Kramer, with help from Daniel Cooper.  Support Radiolab by becoming a member today at Radiolab.org/donate.

It was the early 80s, the height of the Cold War, when something strange began happening off the coast of Sweden. The navy reported a mysterious sound deep below the surface of the ocean. Again, and again, and again they would hear it near their secret military bases, in their harbors, and up and down the Swedish coastline.  After thorough analysis the navy was certain. The sound was an invasion into their waters, an act of war, the opening salvos of a possible nuclear annihilation.  Or was it?  Today, Annie McEwen pulls us down into a deep-sea mystery, one of international intrigue that asks you to consider the possibility that maybe, just maybe, your deepest beliefs could be as solid as...air. This episode was reported by Annie McEwen and produced by Annie McEwen, Matt Kielty, and Sarah Qari, with sound design by Jeremy Bloom.  Special thanks to Bosse Lindquist. Support Radiolab by becoming a member today at Radiolab.org/donate.   

Since its inception, the perennial thorn in Facebook’s side has been content moderation. That is, deciding what you and I are allowed to post on the site and what we’re not. Missteps by Facebook in this area have fueled everything from a genocide in Myanmar to viral disinformation surrounding politics and the coronavirus. However, just this past year, conceding their failings, Facebook shifted its approach. They erected an independent body of twenty jurors that will make the final call on many of Facebook’s thorniest decisions. This body has been called: Facebook’s Supreme Court. So today, in collaboration with the New Yorker magazine and the New Yorker Radio Hour, we explore how this body came to be, what power it really has and how the consequences of its decisions will be nothing short of life or death. This episode was reported and produced by Simon Adler. To hear more about the court's origin, their rulings so far, and their upcoming docket, check out David Remnick and reporter Kate Klonick’s conversation in the New Yorker Radio Hour podcast feed. Support Radiolab by becoming a member today at Radiolab.org/donate.      

Candid Camera is one of the most original – and one of the most mischievous – TV shows of all time.  Admirers hailed its creator Allen Funt as a poet of the everyday. Critics denounced him as a Peeping Tom.  Funt sought to capture people at their most unguarded, their most spontaneous, their most natural.  And he did. But as the show succeeded, it started to change the way we thought not only of reality television, but also of reality itself.  Looking back at the show now, a half century later, it’s hard NOT to see so many of our preoccupations – privacy, propriety, publicity, authenticity – through a funhouse mirror, darkly. This episode was reported by Latif Nasser and produced by Matt Kielty.  Special Thanks to: Bertram van Munster, Fred Nadis, Alexa Conway, the Eastern Airlines Employee Association and Eastern Airlines Radio, Rebecca Lemov, Anna McCarthy, Jill Lepore, Cullie Bogacki Willis III, Barbara Titus and the Funt family.  Support Radiolab by becoming a member today at Radiolab.org/donate.    

We’re all still processing what happened on January 6th. Despite the hours and hours of video circulating online, we still didn’t feel like we had a visceral, on-the-ground sense of what happened that day. Until we heard the piece we’re featuring today. The Washington Post’s daily podcast Post Reports built a minute-by-minute replay of that day, from the rally, to the invasion, to the aftermath, told through the voices of people who were in the building that day -- reporters, photojournalists, Congresspeople, police officers and more. It’s some of the most visceral reporting we’ve heard anywhere on this historic moment. Listen to their full episode here.  

Back in March 2020, when the COVID-19 pandemic was just beginning and the shelter-in-place orders brought the economy to a screeching halt, a quirky-but-clever idea to save the economy made its way up to some of the highest levels of government. Congresswoman Rashida Tlaib proposed an ambitious relief bill to keep the country’s metaphorical lights on: recurring payments to people to help them stay afloat during the crisis. And the way Congress would pay for it? By minting two platinum $1 trillion coins. (You read that right).  In this episode, we take a jaunt through the evolution of our currency, from the gold-backed bills of the 19th century, to the most powerful computer at the Federal Reserve. And we chase an idea that torpedoes what we thought was a fundamental law of economics. Can we actually just print more money?  This episode was reported by Becca Bressler and was produced by Becca Bressler and Simon Adler. Special thanks to Carlos Mucha, Warren Mosler, David Cay Johnston, Alex Goldmark, Bryant Urstadt, and Amanda Aronczyk.  To learn more about these ideas check out:  Stephanie Kelton's book The Deficit Myth Jacob Goldstein's book Money: The True Story of a Made-Up Thing and the Planet Money podcast Betsey Stevenson's podcast Think Like an Economist  This website for more about #MintTheCoin And for a fun quick read, check out this WIRED article about the surprising origin of the trillion dollar coin.  

As the attacks were unfolding on the Capitol, a steady stream of images poured onto our screens. Photo editor Kainaz Amaria tells us what she was looking for--and seeing--that afternoon. And she runs into a dilemma we've talked about before. In December of 2009, photojournalist Lynsey Addario, in was embedded with a medevac team in Afghanistan. After days of waiting, one night they got the call - a marine was gravely wounded. What happened next happens all the time. But this time it was captured, picture by picture, in excruciating detail. Horrible, difficult, and at times strikingly beautiful, those photos raise some questions: Who should see them, who gets to decide who should see them, and what can pictures like that do, to those of us far away from the horrors of war and those of us who are all too close to it? Episode Notes: To hear Kainaz Amaria talk more about the filter, check out:  this post on ethical questions to consider around the sharing of images of police brutality and her interview on On The Media about the double-standard in many U.S. newsrooms when it comes to posting graphic images.  Special thanks to Chris Hughes and Helium Records for the use of Shift Part IV from the album Shift Support Radiolab by becoming a member today at Radiolab.org/donate.    

This year was the worst. And as our staff tried to figure out what to do for our last episode of 2020, co-host Latif Nasser thought, what if we stare straight into the darkness … and make a damn Christmas special about it. Latif begins with a story about Santa, and a back-room deal he made with the Trump administration to jump to the front of the vaccine line, a tale that travels from an absurd quid-pro-quo to a deep question: who really is an essential worker?  From there, we take a whistle-stop tour through the numbers that scientists say you need to know as you wind your way (or preferably, don’t wind your way) through our COVID-infested world. Producer Sarah Qari brings us her version of the Christmas classic nobody ever dreamt they’d want to hear: The Twelve Numbers of COVID. You can check out Martin Bazant’s COVID “calculator” here. This episode was reported by Latif Nasser and Sarah Qari, and was produced by Matt Kielty, Sarah Qari, and Pat Walters. Special thanks to Anna Weggel and Brant Miller, Catherine, Rohan, and Finn Munro, Noam Osband, Amber D’Souza, Chris Zangmeister, John Volckens, Joshua Santarpia, Laurel Bristow, Michael Mina,  Mohammad Sajadi, James V. Grimaldi, Stephanie Armour, Joshuah Bearman, Brendan Nyhan And for more on the proposed Santa vaccine deal, see Julie Wernau and her colleagues' reporting at the Wall Street Journal here. Original art for this episode by Zara Stasi. Check out her work at:  www.goodforthebees.com.  Support Radiolab by becoming a member today at Radiolab.org/donate.    

A global pandemic. An afflicted, angry group. A seemingly indifferent government. Reporter Tracie Hunte wanted to understand this moment of pain and confusion by looking back 30 years, and she found a complicated answer to a simple question: When nothing seems to work, how do you make change? This episode was reported by Tracie Hunte, and produced by Annie McEwen and Tobin Low. Fact-checking by Diane Kelly.  Support Radiolab by becoming a member today at Radiolab.org/donate.    

Should the U.S. Supreme Court be the court of the world? In the 18th century, two feuding Frenchmen inspired a one-sentence law that helped launch American human rights litigation into the 20th century. The Alien Tort Statute allowed a Paraguayan woman to find justice for a terrible crime committed in her homeland. But as America reached further and further out into the world, the court was forced to confront the contradictions in our country’s ideology: sympathy vs. sovereignty. Earlier this month, the Supreme Court heard arguments in Jesner v. Arab Bank, a case that could reshape the way America responds to human rights abuses abroad. Does the A.T.S. secure human rights or is it a dangerous overreach? Additional music for this episode by Nicolas Carter. Special thanks to William J. Aceves, William Baude, Diego Calles, Alana Casanova-Burgess, William Dodge, Susan Farbstein, Jeffery Fisher, Joanne Freeman, Julian Ku, Nicholas Rosenkranz, Susan Simpson, Emily Vinson, Benjamin Wittes and Jamison York. Ken Saro-Wiwa Jr., who appears in this episode, passed away in October 2016. Supreme Court archival audio comes from Oyez®, a free law project in collaboration with the Legal Information Institute at Cornell. Support Radiolab by becoming a member today at Radiolab.org/donate.    

Until now, the fastest vaccine ever made - for mumps - took four years. And while our current effort to develop a covid-19 vaccine involves thousands of people working around the clock, the mumps vaccine was developed almost exclusively by one person: Maurice Hilleman. Hilleman cranked out more than 40 other vaccines over the course of his career, including 8 of the 14 routinely given to children. He arguably saved more lives than any other single person. And through his work, Hilleman embodied the instincts, drive, and guts it takes to marshall the human body’s defenses against a disease. But through him we also see the struggle and the costs of these monumental scientific efforts. This episode was reported by Matt Kielty and Heather Radke, and produced by Matt Kielty. Support Radiolab by becoming a member today at Radiolab.org/donate.