Summary: From his first concert piece, written when he was 17, to his expansive, 19-movement, 4,000-measure opus “Epitaph,” Charles Mingus built a remarkable legacy as a jazz bassist, band leader, and composer. Thirty years after his death, Zócalo hosts a panel -- featuring music and culture journalist Oscar Garza, music producer Hal Willner, writer Emory Holmes II, Mingus contemporary and friend William "Buddy" Collette, and the jazz great's son Eric Mingus, also a musician -- to discuss the jazz great.
