Summary: New York Philharmonic Principal Horn Philip Myers discusses why Mozart’s Horn Concerto No. 2 is always a treat for concertgoers; Program Annotator and Leonard Bernstein Scholar-in-Residence James M. Keller talks about the mysterious second movement of Bach’s Brandenburg Concerto No. 3; Director of Education Theodore Wiprud reflects on Falla’s passionate El amor brujo; and Mark Travis explores how Prokofiev came to write his Piano Concerto No. 4 for left hand.
