Summary: The Camera in The Cathedral: A Brief History of Photography of the Natural World<br> In a bit of “podcast cross-pollination,” I’m presenting an episode of my history of photography podcast here on Camera Position. If you’ve heard the Photo History podcast of this same topic, you’ve heard this podcast, but for those Camera Position listeners who don’t listen to the <a href="http://photohistory.jeffcurto.com/" title="Visit the Photo History Podcast" target="_blank">Photo History podcast</a>, I thought this topic might prove useful to you.<br> <a href="https://i0.wp.com/www.cameraposition.com/wp-content/uploads/2008/02/camposandphotohistlogos.jpg" title="Camera Position Goes Historical!"></a><br> From the very beginning of the medium, photographers have wanted to portray their sense of wonder and awe in the face of the natural world through the camera’s lens, often offering up nature as the Great American Cathedral. This romantic tradition continues, but the mid-20th century saw a change in the way photographers looked at the world around them; a change that altered the face of photography<br> By looking at photographs from the 19th, 20th and 21st centuries, we’ll explore the ways photographers have recorded and interpreted nature with the camera.<br> <br> * <a href="http://naturecameraclub.org/Welcome.html" target="_blank">Mayslake Nature Study and Photography Club</a> – Oakbrook, IL<br> * <a href="http://www.deborahbright.com/PDF/Bright-Machine.pdf" target="_blank">The Machine in the Garden Revisited – American Environmentalism and Photographic Aesthetics </a>(PDF) – an article by <a href="http://www.deborahbright.com/" target="_blank">Deborah Bright</a><br> * <a href="http://www.cod.edu/photo/curto/1105/1105PDF/NaturePhotoHistory.pdf" target="_blank">Handout for this podcast episode</a><br> * <a href="http://www.cod.edu/photo/curto/1105/slides/naturephoto/" title="See the slides for the podcast" target="_blank">Slides for this podcast episode</a><br> <br>
