Summary: <br> This week we are joined by our friend, Kate Penner. Kate received her early dance training from Arlington Center for Dance, now BalletNova, in Arlington, VA and participated in the Kennedy Center’s Dance Theatre of Harlem Residency Program and Exploring Ballet with Suzanne Farrell. She attended and graduated from Harvard University, where she worked with Heather Watts and Damian Woetzel, performing ballets such as George Balanchine’s The Four Temperaments, Serenade, and Who Cares? Upon graduating, Kate has enjoyed a freelance career in the Boston area. Kate has taught ballet and math as a faculty member of both Boston Ballet School and Harvard’s Department of Mathematics, and has been a part of the Vail Dance Festival team since the start of Damian Woetzel’s tenure as Artistic Director in 2007.<br> <br> <br> <br> In this episode we discuss the article from <a href="https://www.theguardian.com/stage/2019/nov/20/fu-manchu-moustaches-blackface-does-ballet-have-a-race-problem">the Guardian in November 2019</a> that asks, “Does ballet have a race problem?” Kate offers her thoughts and reactions to this topic that has been at the forefront of discussion in the ballet world over the past few months. <br> <br> <br> <br> Conversations on Dance is sponsored by Yumiko (yumiko.com) and The Veyette Virtual Ballet School (veyettevirtualballetschool.com).<br>
