Summary: <p>The flexible chamber collective, The Knights, together with the groundbreaking Syrian clarinetist, <a href="https://www.facebook.com/kinanazmeh?__tn__=K-R&eid=ARANe6hhBJPWsCTUAbeL6P84s2QKNtp53p4Vu5IKyrWZ30nIFri--XN4VOcvn5yZLBbNWPzKzDdYYAnT&fref=mentions&__xts__%5B0%5D=68.ARCJF2wKdw9esVQTS_9cvq24W247qEqMuTNW0ACUbyCEQyJMTC3U85Ta1_pCxYotsD73foRXscAWVH2UcQtH9L2SJH-AJIupaH_IjVm-5N6Ct2N3-g3mYnLyVFw0FMvkq9_ltDsd0ehaneBfkpEWZaKYLzPpXaXrq9YZJjvxzEl4l0HRfdNTC8A6SUG0regyIRuqpZZLANCx6mQcXARXO_LSPQXHW1nIxdiUe34fQ3YJl4j8Cg_T94yORXx41ETCSIJCmS1EMj7ygGFpG4Cb5brDYBlwBr8X7QBJGS1bfJhVTCTkAAOlP9rzDWmqA-sKmKB0a6VwMRKb4ph452gTj1meTg">Kinan Azmeh</a> play Azmeh’s Concertino Grosso, commissioned in part by <a href="https://www.facebook.com/carnegiehall/?__tn__=K-R&eid=ARCkvkWrCyn0AFJZ9xrD7mxWK5rgsXveJFGDP6V7V525SaN1O711CmpHoE87T3SrMmL-wg9iCOkkJECK&fref=mentions&__xts__%5B0%5D=68.ARCJF2wKdw9esVQTS_9cvq24W247qEqMuTNW0ACUbyCEQyJMTC3U85Ta1_pCxYotsD73foRXscAWVH2UcQtH9L2SJH-AJIupaH_IjVm-5N6Ct2N3-g3mYnLyVFw0FMvkq9_ltDsd0ehaneBfkpEWZaKYLzPpXaXrq9YZJjvxzEl4l0HRfdNTC8A6SUG0regyIRuqpZZLANCx6mQcXARXO_LSPQXHW1nIxdiUe34fQ3YJl4j8Cg_T94yORXx41ETCSIJCmS1EMj7ygGFpG4Cb5brDYBlwBr8X7QBJGS1bfJhVTCTkAAOlP9rzDWmqA-sKmKB0a6VwMRKb4ph452gTj1meTg">Carnegie Hall</a>'s 125 Commissions Project. It’s a work that allows for maximum freedom and flexibility in the approach to the score, as well as chances for solo sections. Also, The Knights perform a short work by Antonio Vivaldi – one of his “most personal and searching musical statements”, according to Colin Jacobsen’s program notes for the piece. -<em> Caryn Havlik </em></p>
