Summary: <p>Canadian conductor and pianist Yannick Nézet-Séguin, the incoming Music Director of the Metropolitan Opera, is taking over two years earlier than initially planned. In this interview with John Schaefer for the Soundcheck Podcast, he outlines his plans to welcome more folks to the opera and to make sure that routine does not become the norm. </p> <p>Yannick Nézet-Séguin’s intensity is fueled by his boundless energy and his understanding of the legacy and the history of the Metropolitan Opera. He's the first new Music Director in 42 years and yet is optimistic that the Met can present itself as the generator of and ultimately a place for the creation of new operas, but understands that the large space does not lend itself to experimentation. Due to his unique placement as Music Director of the Philadelphia Orchestra as well as his new role with the Metropolitan Opera, Yannick hopes to be able to shepherd new productions to life. He also plans to go out of the theatre, in collaborations with BAM (in Brooklyn) and the Public Theatre with the aim of welcoming more folks to the Opera. </p> <p>Pointing out that opera is itself a unique combination of drama and music with ballet, theatre projections, and modern dance, Yannick Nézet-Séguin is eager to see more folks able to immerse themselves, and be challenged and nourished with stories and ideas in opera. He’d also like to let people in on the behind-the-scenes aspects as well as invite them into the glamour and magic of a performance.</p> <p>He's also an omnivorous listener himself - with singers as his main focus. Yannick (yah-NEEK) is currently listening to Janelle Monáe, Canadian singer/songwriter Daniel Caesar, Frank Ocean, and neo-soul of the early 2000’s when not at work. He also dips back into classic singers like Ella Fitzgerald and Sarah Vaughan. <em>- Caryn Havlik</em></p>
