Summary: FIX IT IN...PREP? THE VALUE OF POST PRODUCTION ARTISTS EARLY IN THE PROCESS.. sponsored by Nice Shoes, Filmlight, and SONY Most producers have a strong concept of what they want their project to look like, but they don’t always consider editorial, visual effects, music or color grading during the pre-production phase. Bringing post artists into the conversation at the onset of a project leads to enhancing imagery rather than "fixing” in post. In this session, producers will speak directly about the nature of their collaboration with their post team, and share how the early reliance on their skills and experience expanded the possibilities for their projects. Incorporated during prep or on set, your post artists have all kinds of ways to get the most out your of budgets and schedules, as well as that final cut. Speakers Alison Beckett Post Production Supervisor Kill The Messenger, The Hundred-Foot Journey, Bessie Brad Carpenter Co- Producer Vinyl, Boardwalk Empire, Nurse Jackie Chris Ryan Colorist at Nice Shoes Peter Saraf Producer / Chair of the PGA East About Ray, Safety Not Guaranteed, Little Miss Sunshine Dan Schrecker Senior VFX Supervisor, Psyop Film and Television Hail Cesar, Black Swan Tim Squyres Editor Billy Lynn’s Long Halftime Walk, Life of Pi, Unbroken, Lust/Caution, Moderator Jennifer Lane Post Production Supervisor; / Secretary of the Post New York Alliance Billy Lynn’s Long Halftime Walk, Into the Woods, The Bourne Legacy, Revolutionary Road
