Summary: On this edition of the 15 Minute Mixdown, Jon Stinson dives into the idea of giving yourself permission to be "bad at it" so that you can eventually become "good at it"<br> Many times when we are venturing into something new, such as songwriting, production, recording, or some other form of creative work (or even non-creative work), we can become self-conscious about our skill level when we're just starting out. It's easy to get wrapped up in all the ways that our art sucks, and fail to apply the long-term thinking that it takes time to develop a creative skill.<br> When we're consistently seeing people just "appear" out of nowhere as accomplished artists, it's easy to let ourselves get stuck in an impatient mindset of instant gratification, and overlook all the hours they put in to get where they are. We can get hung up on searching for "perfect" and not allow ourselves to just live in the process of learning and practicing for a while.<br> The fact is that when just starting out, you're not going to be "good at it," and why would you? You're just starting out, after all!<br> So giving yourself permission to be bad at it is an important frame of mind to keep, so that you can allow yourself to start at the starting point, acknowledge that you are making gains, and just give yourself space to enjoy the journey.<br> It's scary and it takes courage, because you have to be willing to create art that "sucks" so that you can learn how to create art that does not "suck"<br> But in reality, you don't get to decide how other perceive your art, anyway. So why allow yourself to get stuck assuming something "sucks" and never release it out into the world to actually find out? Decide you're proud of the work you are doing, give yourself permission to be bad at it so that you can ultimately become good at it, and enjoy the journey.<br> +--+--+--+--+--+--+--+--+--+--+--+--+--+--+--+--+--+--+--+--+--+--+--+--+--+<br> The 15 Minute Mixdown is the alternate episodes to our long-form shows, with a live in-studio guest. Every other week, host Jon Stinson takes a few minutes to explore an idea around designing and living your life as an artistic visionary, in a kind of monologue-esque format. These shorter episodes are fun and a little quirky, yet impactful and motivational.<br> Make sure you are subscribed to The Modern Recordist in iTunes! Also, please help us out by leaving us a rating and review. We're currently in the launch phase of this podcast, and good ratings and reviews make sure we're relevant in the iTunes charts.<br> And of course, if you got something out of this episode, make sure you share it with a friend or two.<br> The Modern Recordist is brought to you by Jon Stinson, JD Tiner, and Parrish<br> Jon Stinson is a producer/recording engineer/mixing engineer out of Nashville, TN. Check out his website and blog to see his album credits, and get simple recording tips, including a resource on simple tips for recording drums. And if you're interested in working with Jon on your next project, make sure you get in touch!<br> <a href="http://jonstinson.com">http://jonstinson.com</a><br> JD Tiner is the main man behind Glass Onion Recording, the studio that is home to The Modern Recordist, as well as a great place to record or mix your next record. Glass Onion Recording features a great selection of vintage analog gear, modern analog gear, and digital gear - a super vibey spot in Nashville, TN. Go "Like" Glass Onion Recording on Facebook at:<br> <a href="http://www.facebook.com/glassonionrec">www.facebook.com/glassonionrec</a><br> And check out JD and his work at: <a href="http://www.jdtiner.com">www.jdtiner.com</a><br> Parrish is the dude who handles the engineering responsibilities for this podcast. He is a producer/engineer, and involved in Villain Place, a recording studio, record label, production company in Nashville.<br> Check out Parrish at: <a href="http://jonathanpaulparris..."></a>
