Elia Kazan – “An Outsider” – The Story of a Film Director Whose Body of Work Issues an Ultimate Statement of Craft and Conscience – He Harnessed the Magical Powers of Impassioned Actors, Screenwriting, Brando and the New Cinematic Potential –

Summary: He was a last great American Film director, leaving only Scorsese and a handful of others to continue the precious efforts he designed. ‘On The Waterfront’, 'Streetcar Named Desire’, and 'Boomerang’ begin to define him. So did the 50’s blacklist. Do we judge pure expertise or hard history? Both.