Summary: By Cory Doctorow Read by Grant Baciocco Discuss on our forums. First appeared in Steampunk! An Anthology of Fantastically Rich and Strange Stories Music by Clockwork Quartet All stories by Cory Doctorow All stories read by Grant Baciocco This one is a long one! This is considered appropriate for kids 12 and up – it’s a YA story with one murder. Clockwork Fagin By Cory Doctorow Monty Goldfarb walked into St Agatha’s like he owned the place, a superior look on the half of his face that was still intact, a spring in his step despite his steel left leg. And it wasn’t long before he *did* own the place, taken it over by simple murder and cunning artifice. It wasn’t long before he was my best friend and my master, too, and the master of all St Agatha’s, and didn’t he preside over a *golden* era in the history of that miserable place? I’ve lived in St Agatha’s for six years, since I was 11 years old, when a reciprocating gear in the Muddy York Hall of Computing took off my right arm at the elbow. My Da had sent me off to Muddy York when Ma died of the consumption. He’d sold me into service of the Computers and I’d thrived in the big city, hadn’t cried, not even once, not even when Master Saunders beat me for playing kick-the-can with the other boys when I was meant to be polishing the brass. I didn’t cry when I lost my arm, nor when the barber-surgeon clamped me off and burned my stump with his medicinal tar. I’ve seen every kind of boy and girl come to St Aggie’s — swaggering, scared, tough, meek. The burned ones are often the hardest to read, inscrutable beneath their scars. Old Grinder don’t care, though, not one bit. Angry or scared, burned and hobbling or swaggering and full of beans, the first thing he does when new meat turns up on his doorstep is tenderize it a little. That means a good long session with the belt — and Grinder doesn’t care where the strap lands, whole skin or fresh scars, it’s all the same to him — and then a night or two down the hole, where there’s no light and no warmth and nothing for company except for the big hairy Muddy York rats who’ll come and nibble at whatever’s left of you if you manage to fall asleep. It’s the blood, see, it draws them out. So there we all was, that first night when Monty Goldfarb turned up, dropped off by a pair of sour-faced Sisters in white capes who turned their noses up at the smell of the horse-droppings as they stepped out of their coal-fired banger and handed Monty over to Grinder, who smiled and dry-washed his hairy hands and promised, “Oh, aye, sisters, I shall look after this poor crippled birdie like he was my own get. We’ll be great friends, won’t we, Monty?” Monty actually laughed when Grinder said that, like he’d already winkled it out. As soon as the boiler on the sisters’ car had its head of steam up and they were clanking away, Grinder took Monty inside, leading him past the parlour where we all sat, quiet as mice, eyeless or armless, shy a leg or half a face, or even a scalp (as was little Gertie Shine-Pate, whose hair got caught in the mighty rollers of one of the pressing engines down at the logic mill in Cabbagetown). He gave us a jaunty wave as Grinder led him away, and I’m ashamed to say that none of us had the stuff to wave back at him, or even to shout a warning. Grinder had done his work on us, too true, and turned us from kids into cowards. Presently, we heard the whistle and slap of the strap, but instead of screams of agony, we heard howls of defiance, and yes, even laughter! “Is that the best you have, you greasy old sack of suet? Put some arm into it!” And then: “Oh, dearie me, you must be tiring of your work. See how the sweat runs down your face, how your tongue doth protrude from your stinking gob. Oh please, dear master, tell me y[...]
