The Radio 3 Documentary

Writer Anthony Sattin visits Jan Morris's Welsh home on the 60th anniversary of the ascent of Everest to talk about her role in the story and other tales to be gleaned about her life from the objects in her home (including a gravestone and a posthumous book awaiting publication!). Producer: Sara Jane Hall.

Renzo Piano is the architect behind the tallest building in Western Europe, The Shard at London Bridge. He grew up wanting to be a musician, and Tom Service discovers how he sees the basic elements of music as fundamental to his way of thinking about his buildings. His landmark buildings include cultural centres and concert halls around the world. Tom visits IRCAM in Paris, and the Parco della musica in Rome, meeting Piano's fellow architects, the acousticians, and the musicians who use the buildings to tell a story about the relationship between music and space, sound and architecture.

The Reverend Richard Coles visits Lincoln Cathedral, the focus of Medieval pilgrimage, to begin the last of his series exploring contemporary and historical ideas about sin. Having looked at the central place Temptation still has for many in both religious and secular societies the attention now swings to methods of redemption, purification and the goodness that is defined only by its counter to the idea of sin.

In this first of three programmes, Richard explores what exactly is meant by sin, and its origins in man's earliest ethical structures.

The Reverand Richard Coles explores notions of temptation and its part in contemporary and ancient societies.

Throughout our cultural history, tears have been intimately connected with the arts, whether as inspiration or response. Thomas Dixon is director of the UK's first Centre for the History of the Emotions at Queen Mary University London. In this programme he explores the history of weeping as an aesthetic response to works of art: paintings, writing, music, theatre and film. What it is about works of art and religious symbols that induce weeping and why do we shed tears over performances by actors and singers, fictional characters, abstract symbols, poems, music, metaphysical ideas - in other words things that are not real? Margery Kempe, Gluck, Mark Rothko and Sophocles' Electra may provide some of the answers. Thomas Dixon talks to Fiona Shaw, Miri Rubin, Pete de Bolla, Virginia Eatough, Giles Fraser, Ian Bostridge, Matthew Sweet and Simon Goldhill

Will Self broadcasts an imaginary archive of modernist radio and discusses the influence of modernism today. In a secret laboratory underneath the BBC archive there is a small room containing a special machine. It's a BBC prototype 'RP-1 Ethermatic remitter'. An experimental machine designed to retrieve ('remit') past radio signals back out of the air. Although partially successful during field trials in 1922 it was never made fully operational...until now. Will Self has been given access to the machine to investigate the relationship between early radio technology and modern culture. Taking his cue from the Wasteland and Ulysses - both published as the RP-1 was developed - he will be drawing from the air an assemblage of modernist art and ideas using the very technologies that enabled them. In doing so he hopes to create something that isn't simply about modernism and its after effects but is itself a modernist work.

Sunday Feature: Alexandra Harris presents a cultural history of the cold. With the help of writers including Simon Armitage, A.S. Byatt, Katherine Swift and Adam Gopnik Alex looks at the way our literature began with work mesmerised by the beauty and horror of cold. In Yorkshire Simon Armitage discusses Sir Gawain and the Green Knight imagining the Pennines crossed by Gawain, hung with icicles on his hunt for the Green Knight. And Katherine Swift takes us on a winter tour of her garden in Shropshire.

In 1812 Napoleon led his army to Moscow. In War and Peace Tolstoy gave his account of the great invasion, the battle of Borodino, and the subsequent burning of Moscow. Rosamund Bartlett, translator of Russian novels and biographer of Tolstoy investigates the truth and the fiction of one of the most famous novels of all time. Tolstoy believed that Napoleon and the Russian commander Kutuzov were no more significant in deciding the outcome of events than any one of the thousands of ordinary soldiers who slogged their way across Europe to fight or who defended their motherland as best they could. With reports by the Russian novelist Zinovy Zinik from the battlefied at Borodino and at Tolstoy's country estate at Yasnaya Polyana, Rosamund Bartlett tells how Tolstoy took up the story of what became known as the first great patriotic war in Russia and shaped it in his own way - a version of events that nonetheless has endured over time and become in many people's minds the truth of 1812.

Barry Cunliffe on the king whom history has often held responsible for inviting in the first Anglo-Saxons. First in a series of portraits of thirty ground-breaking Anglo-Saxon men and women.

Californian poetry found fame with The Beats in the 1950s. Dana Gioia reveals developments since - Language, ecological, Hispanic poetry - and before, back to the Gold Rush.

Sunday Feature: Michael Goldfarb explores the development and enduring appeal of the piano across social and geographic divides.

Sunday Feature: Jacquetta Hawkes and The Personal Past. Christine Finn excavates clues in the personal and public life of once acclaimed archaeologist and writer, Jacquetta Hawkes, to explain why she has faded from public memory.

The American Civil War: Blockade Runners and Black Minstrels. What did Britain do in the American Civil War? Louise Welsh investigates blockade running, blackface minstrelsy, spy-wars and abolitionists, with the Clyde shipyards as her focus.

The American Civil War: Dividing Lines. Historian Adam Smith visits contemporary America to trace how the dividing lines of the Civil War are still visible beneath US politics 150 years on.